Sarah Salazar
Corps Raccords série 1 - 1/7
Sarah Salazar
Photography - 60 x 40 x 1 cm Photography - 23.6 x 15.7 x 0.4 inch
€413
Les enveloppes - image 5/13
Sarah Salazar
Photography - 140 x 100 x 1 cm Photography - 55.1 x 39.4 x 0.4 inch
€1,500
Les enveloppes - image 11/13
Sarah Salazar
Photography - 60 x 40 cm Photography - 23.6 x 15.7 inch
€413
Les enveloppes - image 8/13
Sarah Salazar
Photography - 60 x 40 cm Photography - 23.6 x 15.7 inch
€413
Les enveloppes - image 5/13
Sarah Salazar
Photography - 60 x 40 cm Photography - 23.6 x 15.7 inch
€413
Corps raccords - Série 1, image 4/7
Sarah Salazar
Photography - 60 x 40 cm Photography - 23.6 x 15.7 inch
Sold
Corps Raccords série 2 - 5/7
Sarah Salazar
Photography - 140 x 100 x 1 cm Photography - 55.1 x 39.4 x 0.4 inch
Sold
Corps Raccords série 1
Sarah Salazar
Photography - 60 x 40 x 1 cm Photography - 23.6 x 15.7 x 0.4 inch
Sold
Corps Raccords série 1
Sarah Salazar
Photography - 40 x 30 x 1 cm Photography - 15.7 x 11.8 x 0.4 inch
Sold
Biography
A graduate of the Condé school in the Photography section, Sarah Salazar, French visual artist photographer. Modeling clay, that's how she describes the bodies she photographs. Playing with space and movement, the subject silhouettes bind to the rhythm of a passionate dance, a choreography of feelings. This cinematographic aspect is very important for the artist, who wishes to work like a director. Wishing to push back the limits, she plays endlessly with the bodies she photographs, plunging them into an eternity of sensuality.
There are scars that bleed even more than the wounds themselves, Sarah renders the indistinguishable and the buried sensations, universal, so that each spectator can take part in the creation.
For her, the viewer, like the photograph, creates the image in unison.
Sarah wants emotions, sensations, rather than just trying to get a message across; she likes to work in natural light in various artists' workshops or photographic studios, on the one hand for the softness of the light, but also because she wishes to show reality in her works, not retouching bodies. She wants to highlight the scars, the marks of a life that a body can suffer.
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