![Painting, N°8 Cité Urbaine, Leslie Berthet Laval](https://media.artsper.com/artwork/1415853_1_grid.jpg)
N°8 Cité Urbaine
Leslie Berthet Laval
Painting - 80 x 80 x 2.5 cm Painting - 31.5 x 31.5 x 1 inch
$4,896
Painting - 80 x 80 x 2.5 cm Painting - 31.5 x 31.5 x 1 inch
$4,896
Painting - 100 x 100 x 100 cm Painting - 39.4 x 39.4 x 39.4 inch
Sold
Painting - 80 x 80 x 80 cm Painting - 31.5 x 31.5 x 31.5 inch
Sold
Painting - 100 x 100 x 100 cm Painting - 39.4 x 39.4 x 39.4 inch
Sold
Painting is omnipresent in Leslie's life. The artist from Isère made his first canvas at the age of 3. Less than 10 years later, she is already responding to her first order. The drawing is his real writing although his multiple talents are also expressed through the decoration. In 1996, Leslie obtained a degree in interior design. She worked for 20 years as a decorative painter in the creation and restoration of art for historical monuments as prestigious as the Louvre Museum in Paris or the Museum of Fine Arts in Lyon. Many châteaux and churches in the Rhône Alpes region have been entrusted to it for their renovation. Leslie pursues her career as a self-taught artist in parallel, exhibiting her works at international events such as the Shanghai World Expo in 2010.
The artist expresses his taste for curves and perspectives on his paintings. Her work, notably inspired by the expressionist movement, is imbued with freshness, youth and femininity. Leslie's creative spirit and appetite for challenges lead her to explore a wide variety of techniques and themes. Reflections of contemporary society, its “marine cities” allow it, for example, to evoke ecological news: global warming, nuclear power, etc. With his particularly inspired series of “angels”, Leslie revisits this theme with great daring. She places aesthetics in the exclusive service of emotion.
Leslie's universe is ruled by balance. Indeed, she manages to suggest movement without agitation. Its colors are powerful but never aggressive. His palette dominated by blue, green and red is worked with a brush and a knife. The painter does not hesitate to question herself during artistic performances in public. She creates the spectacle thanks to an original process: emptying syringes filled with paint directly onto the canvas. Absorbed by her art, she plays, gives free rein to her instinct, unpretentious. The artist then becomes again the little girl who painted at 3 years old and plunges back into an imaginary without borders.
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