Quentin DMR

Quentin DMR cuts his photographic portraits into regular strips, which he reorganizes in a structured disorder. The eye once again engages in a mental operation to reconstitute an identity. Between puzzle and memory, we appeal to our visual memory, but also take the time to dwell on the details that make the personality and the singularity of the model portrayed.

Quentin DMR cuts his photographic portraits into regular bands, which he rearranges in a structured mess. The eye, again, engages in a mental operation to reconstitute an identity. Between puzzle and memory, we call on our visual memory, but also take the time to dwell on the details that make up the personality and uniqueness of the model portrayed.

- Cyrille Gouyette, Exhibition curator and art historian