![Photography, Série des mètres, Arthur Di Nunzio](https://media.artsper.com/artwork/1964196_1_grid.jpg)
Série des mètres
Arthur Di Nunzio
Photography - 100 x 100 x 1 cm Photography - 39.4 x 39.4 x 0.4 inch
$1,418
Photography - 100 x 100 x 1 cm Photography - 39.4 x 39.4 x 0.4 inch
$1,418
Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch
$187
Photography - 100 x 100 x 0.5 cm Photography - 39.4 x 39.4 x 0.2 inch
$1,418
Photography - 100 x 100 x 1 cm Photography - 39.4 x 39.4 x 0.4 inch
$1,418
Photography - 100 x 100 x 0.5 cm Photography - 39.4 x 39.4 x 0.2 inch
$1,872
Photography - 30 x 50 x 0.3 cm Photography - 11.8 x 19.7 x 0.1 inch
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Photography - 100 x 150 x 1 cm Photography - 39.4 x 59.1 x 0.4 inch
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Photography - 110 x 70 x 1 cm Photography - 43.3 x 27.6 x 0.4 inch
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Photography - 110 x 70 x 1 cm Photography - 43.3 x 27.6 x 0.4 inch
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Photography - 110 x 70 x 1 cm Photography - 43.3 x 27.6 x 0.4 inch
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Photography - 170 x 85 x 1 cm Photography - 66.9 x 33.5 x 0.4 inch
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Photography - 70 x 105 x 0.5 cm Photography - 27.6 x 41.3 x 0.2 inch
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Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch
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Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch
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Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch
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Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch
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Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch
Sold
Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch
Sold
Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch
Sold
Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch
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Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch
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Arthur Di Nunzio (1998) is a Belgian photographer of Italian origin, specialized in contemporary photography. He deploys a reflection on photography itself, developed in his essay « Structure, matter, aggregates », which accompanies each of his works. He is currently working on the notions of sensation, perception and « a posteriori » from his studio in Brussels.
Working with film and digital, developing a technique that does not require any retouching, he superimposes photographs and collages to assume, if necessary, the montage. The photographs or parts of photographs can be laminated onto various plates of varying thicknesses, creating a relief on the structure.
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