Daniel Airam

Daniel Airam

France • 1958

  • Artworks
  • Biography
  • Movements

Daniel Airam

Painting, La fille à la fleur, Daniel Airam

La fille à la fleur

Daniel Airam

Painting - 97 x 122 x 5.5 cm Painting - 38.2 x 48 x 2.2 inch

Price upon request

Painting, Sic Enim Dixit, Daniel Airam

Sic Enim Dixit

Daniel Airam

Painting - 120 x 120 x 5 cm Painting - 47.2 x 47.2 x 2 inch

Price upon request

Painting, Jeune page, Daniel Airam

Jeune page

Daniel Airam

Painting - 114 x 152 x 5.5 cm Painting - 44.9 x 59.8 x 2.2 inch

Price upon request

Painting, Courtisane, Daniel Airam

Courtisane

Daniel Airam

Painting - 141 x 97 x 5.5 cm Painting - 55.5 x 38.2 x 2.2 inch

Price upon request

Painting, Portrait au turban, Daniel Airam

Portrait au turban

Daniel Airam

Painting - 150 x 100 x 5.5 cm Painting - 59.1 x 39.4 x 2.2 inch

Price upon request

Painting, Fleurs, Daniel Airam

Fleurs

Daniel Airam

Painting - 64 x 92 x 5.5 cm Painting - 25.2 x 36.2 x 2.2 inch

Price upon request

Painting, Illud Etiam, Daniel Airam

Illud Etiam

Daniel Airam

Painting - 94 x 132 x 5.5 cm Painting - 37 x 52 x 2.2 inch

Price upon request

Painting, Omnia vanitas, Daniel Airam

Omnia vanitas

Daniel Airam

Painting - 105 x 81 x 5 cm Painting - 41.3 x 31.9 x 2 inch

Price upon request

Painting, Nymphéa LXX, Daniel Airam

Nymphéa LXX

Daniel Airam

Painting - 123 x 150 x 5.5 cm Painting - 48.4 x 59.1 x 2.2 inch

Price upon request

Painting, De Viris, Daniel Airam

De Viris

Daniel Airam

Painting - 72 x 59 x 7 cm Painting - 28.3 x 23.2 x 2.8 inch

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Daniel Airam

An original work. A totally mastered Renaissance inspiration, accompanied by daring graffiti. The perfect alchemy of classic with contemporary.

Biography

Born in 1958 in Lyon. Lives and works in the Alpes Maritimes.

"If the persistence of the practice of graffiti incised most often on the plaster of a wall or the bark of a tree never ceases to amaze me, the immutable beauty of the Flemish portrait and its ocean of faces m is equally enchanting. Both born from a codified system, tirelessly started again, their incredible presence nevertheless transcends time.

Openly practicing the idea of an art history at the heart of my artistic production, the use of varnish was essential, it bringing shine and hardness to the painting. In fact, the famous “shine" that Van Eyck spoke of, this shine close to glass, stained glass, also close to an epidermis supposed to protect an organic world, is fragile.

So write, scratch, scratch, graffiti any painted surface, in order to make problematic what, in the past, was obvious, without contradicting the painting, but asserting it differently.

In the vertigo of the world where everything vacillates, where there is no longer a reliable model, will the image still demonstrate its capacity to dazzle, its power to be, to finally exist as it is conceived?

See, look, observe, admire."

Daniel Airam

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The year of birth of the artist is: 1958