![Painting, Le climat et les vents capricieux, Adrianna MJW](https://media.artsper.com/artwork/1010970_1_grid.jpg)
Le climat et les vents capricieux
Adrianna MJW
Painting - 40 x 30 x 5 cm Painting - 15.7 x 11.8 x 2 inch
$1,396
Painting - 40 x 30 x 5 cm Painting - 15.7 x 11.8 x 2 inch
$1,396
Painting - 40 x 30 x 5 cm Painting - 15.7 x 11.8 x 2 inch
$1,396
Painting - 40 x 30 x 5 cm Painting - 15.7 x 11.8 x 2 inch
$1,396
Painting - 40 x 30 x 5 cm Painting - 15.7 x 11.8 x 2 inch
$1,396
Painting - 40 x 30 x 5 cm Painting - 15.7 x 11.8 x 2 inch
$1,396
Painting - 40 x 30 x 5 cm Painting - 15.7 x 11.8 x 2 inch
$1,396
Photography - 30 x 30 x 0.5 cm Photography - 11.8 x 11.8 x 0.2 inch
$1,105
Photography - 30 x 30 x 0.5 cm Photography - 11.8 x 11.8 x 0.2 inch
$1,105
Painting - 40 x 30 x 5 cm Painting - 15.7 x 11.8 x 2 inch
$1,396
Painting - 40 x 30 x 5 cm Painting - 15.7 x 11.8 x 2 inch
$1,163
Painting - 88 x 116 x 5 cm Painting - 34.6 x 45.7 x 2 inch
$9,304
Photography - 80 x 50 x 2 cm Photography - 31.5 x 19.7 x 0.8 inch
$2,908
Painting - 90 x 116 x 2 cm Painting - 35.4 x 45.7 x 0.8 inch
$4,071
Painting - 100 x 120 x 5 cm Painting - 39.4 x 47.2 x 2 inch
$9,886
Painting - 80 x 300 x 3 cm Painting - 31.5 x 118.1 x 1.2 inch
$11,630
Photography - 40 x 30 x 1 cm Photography - 15.7 x 11.8 x 0.4 inch
$465
Photography - 30 x 30 x 0.5 cm Photography - 11.8 x 11.8 x 0.2 inch
$523
Photography - 30 x 30 x 0.1 cm Photography - 11.8 x 11.8 x 0 inch
$523
Photography - 30 x 30 x 0.3 cm Photography - 11.8 x 11.8 x 0.1 inch
$349
Adrianna MJW has lived in Megève, in front of Mont Blanc for over 20 years. The mountain is part of its identity and it is one of its sources of inspiration. This mountain fascinates her, it is a particular symbolic territory. The mountain par excellence. Forbidden, promised or refuge, the mountain covers a strong symbolism.
His representation of the landscape derives from his photographic views. It is in this back and forth between her unconscious, her interior visions, her photographs and her memories of glimpsed landscapes that she draws her inspiration. She expresses through painting her emotions and feelings in front of the panorama which surrounds her but also questions herself on the future of the mountain and its evolution.
The landscape can sometimes become a pretext. It is an entry to deal with other subjects. The landscape by definition, always depends on an observer, therefore a point of view. "The landscape is not a pure creation of man, in the sense that man-made productions such as manufactured objects, but also images and works of art. It is not a raw given either. natural world, a terra incognito that we would be content to discover, at random during our explorations. The landscape is hybrid, it stands at the crossroads of creation and discovery: it is invented ... "(Justine Balibar, The invention of the mountain in the 18th century)
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