![Print, Glenkiln Cross, Plate II, Henry Moore](https://media.artsper.com/artwork/684936_1_s.jpg)
by Henry Moore
Print : etching
64.5 x 46 x 0.1 cm 25.4 x 18.1 x 0 inch
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Numbered and limited to 90 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Print: etching
Dimensions cm • inch
64.5 x 46 x 0.1 cm 25.4 x 18.1 x 0 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Italy
Printed and published by Il Bisonte, Florence
Reference: G.Cramer, Henry Moore, The Graphic Work , ed. Cramer 1986 repr. N ° 426
Henry Moore (1898-1986) focused on the hole, or void, as an important element in sculptural design. His well-known reclining female nudes combine the organic jargon central to Moore’s philosophy: bone shapes, eroded rocks, and geologic formations to communicate the human form’s fluidity, dynamism, and evocative nature. The reclining figures were originally inspired by a photograph Moore acquired of a Chac Mool from pre-Colombian Mexico. They are distinctive of Moore’s work in exploiting the natural beauty of different materials: he asserted that every material has its own individual qualities and these qualities could play a role in the creative process. The abstracted shapes suggest Surrealist biomorphic forms, but Moore’s leaning women are also powerful earth mothers whose sinuous forms and hollows suggest nurturing human energy. Furthermore, the female body shapes evoke the contours of the Yorkshire hills of Moore’s childhood and the wind-polished surfaces of weathered wood and stone. Moore enhanced the references to landscape and to Surrealist organic forms by alternating mass and void, based on the enthralling qualities of cavities in nature. The hole was not an abstract shape. It represented the mysterious fascination of caves in hillsides and cliffs. Henry Moore’s sculptures, although abstracted, always remain recognizable. Moore alleged that the simple and massive shapes of his statues expressed a universal truth beyond the physical world. As he said, “My sculpture is becoming less representational, less an outward visual copy […]but only because I believe that in this way I can present the human psychological content of my work with greatest directness and intensity.”
About the seller
Wallector Srl • Italy
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![Henry Moore, Six Mother and Child Studies Henry Moore, Six Mother and Child Studies](https://media.artsper.com/artwork/1274748_1_l.jpg)
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Works in prints from Henry Moore
Presentation
Henry Moore was an English artist, who was born in 1898 and died in 1986.
From a working class family, Henry Moore was one of the first sculptors to bring a particular form of artistic modernism to British society at the start of the 20th century, for which he drew inspiration from primitive art.
Henry Moore was very successful from the 1930s onwards; he taught in several universities and his creations quickly went to the top of the art market. By the end of the 1940s, he was seen as the voice of British sculpture, having earned worldwide renown. However, while the artist's recognition and popularity increased, particularly in the way of commissions, he preferred to live simply after the end of World War II, and gave most of his earnings to the Henry Moore association to help support the education, promotion and distribution of art.
Henry Moore's sculptures are mainly inspired by the feminine body, and he gradually moved towards more abstract and elongated forms. His signature motif is a reclining form, and he worked mostly in monumental bronze. He created numerous works documenting the Blitz during the Second World War in London, which are preserved at the British Museum.
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