![Print, Feu, Hervé Télémaque](https://media.artsper.com/artwork/2221329_1_s.jpg)
by Philippe Mohlitz
Print : etching, engraving
31 x 23.5 x 0.1 cm 12.2 x 9.3 x 0 inch
Free returns within 14 days
Authenticity guaranteed
Learn moreSecure payment
About the artwork
Type
Numbered and limited to 100 copies
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Print: etching, engraving
Dimensions cm • inch
31 x 23.5 x 0.1 cm 12.2 x 9.3 x 0 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
Artwork dimensions: 31 x 23,5 cm
Image dimensions: 18 x 13 cm
Perfect state.
About the seller
Galerie Hus • France
Artsper seller since 2015
Vetted Seller
Collector’s Guide
Imagine it at home
![Philippe Mohlitz, Vierge aux étrons Philippe Mohlitz, Vierge aux étrons](https://media.artsper.com/artwork/399787_1_l.jpg)
Presentation
And there is a lot of material. He has worked steadily for over forty years his first engravings were made in 1965. His prints are often relatively large for works done with a burin. They are always complex and usually prepared with drawings that are just as detailed.
His manner is not that of the well-behaved cuts of the 17th century It is both more ancient and more modern. Durer is clearly the first point of reference if only because his melancholy has affected Mohlitz favorably. Yet, he doesn’t display the calm harmony of the Nuremberg master His subjects are darker and his style more unsettled. There is a restlessness.
Although is a sense of exalted solitude in the work of both there artists, Mohlitz is more recognizable in the exuberance of Rodolphe Bresdin, the Bresdin of disheveled skies, of tousled clouds rolling like waves, the Bresdin of throngs and bewildered crowds, the Bresdin of the Bon Samaritain and of the Comédie de
la Mort, the engraver of interiors overloaded with utensils, curios, fruit, vegetables, and rabbits, with all of the things that earned him the clever epithet inextricable from Robert de Montesquiou, which Mohlitz has every right to claim.
Another aspect of Mohlitz’s work that distances him from Durer and brings him closer to Bresdin is the fact that he is a draftsman rather than a painter. He works line more than value and creates a formal luxuriance that is only possible thanks to his boundless affection r the former: To him a wayward line, should there be one
land even the greatest experience theml, provides an opportunity to explore another path. It’s the beginning of a new story. Perhaps more than any other art, engraving is a solitary pleasure, as making elaborate ink drawings. a skill practiced by many of Mohlitz’s contemporaries, Velly, Doare, Rubel, Desmazieres, among others.
He certainly has many stories to tell! Their meaning and their plot aren’t always clear, but that’s what we like about them, at least, what some of us like. Trying to understand his approach and the meaning of his work draws us into it, magnifying glass in hand. We look carefully, and discover a new world. We turn the print around and suddenly see unexpected things appear in its classical geometry.
We take pleasure in getting lost in the marshes, in going astray in the jungle, in searching the garbage dumps, in hunting through the yard sales, in wandering about strange places where strange things are happening. We are at times afraid of what we see. Mohlitz isn’t (is no longer?) an angel despite the recurrence of religious architecture in his work. His relentless invention of erotico-macabre humor has more than likely shut him out of the paradise of the righteous.
But we can also fear what we can’t see. A threat is often pending. He loves machines and machinery, machinations less, no doubt They would often be fantastic there are motorcycles but other things as well with gears everywhere. This may be part of how he works: through gears. One cut leads to another, one shape
suggests the next, etc. Sometimes, though, the machine becomes an instrument of torture. In the darkness we hear crying and the gnashing of teeth.
The graphical oxymoron is one of the driving forces of Mohlitz’s imagination. He plays on dimensional contrasts, like Lewis Carroll in Alice in Wonderland, rather than on anachronism. This enables him to showcase his technical virtuosity, Endless adjustment is required, with or without a magnifying glass, and this adds to the
difficulty of reading.
Mohlitz’s images are never boring. There is an enigma in every print. An idea floats by and we think that we can touch, even catch the tail end of a solution. But, it’s a lizard that manages to cut free and run far away, like the rail-line perspective of Autoportrait pluriel.
And, it’s beautiful."
- Maxime Préaud, Head curator of libraries, Department of prints and Photography, National Library of France
Philippe Mohlitz was born in 1941 in Saint André de Cubzac (33)
Student of Jean Delpech (Grand Prix de Rome for engraving 1948)
-Price Florence Gould 1971
- Léon-Georges Baudry Award (Taylor Foundation) 2000
Leonardo Sciascia Award (Milan) 2000
-Nahed Ojjeh Award (Academy of Fine Arts) 2011
More works from Galerie Hus
Protect your purchase
We’re here to help you collect art securely. When you browse and buy on Artsper, you benefit from our guaranteed protections.
Buy works from the best galleries
We partner with the best art galleries. All sellers on Artsper have been carefully reviewed and approved by our team. All of our partner galleries respect our code of ethics.
Know what you’re getting
Each work on Artsper is studied and validated by our team before appearing online. Get personalized support Contemporary art specialists are available by phone and email to answer all of your questions about our works of art. Get personalized advice and curated suggestions for your collection.
Resell your artworks
As a private individual, you have the possibility to resell on Artsper your works acquired on Artsper. For more information click here.
Make an offer with Artsper
Negotiate prices
Price negotiation is possible. Like in a gallery, this allows you to open a discussion and purchase your works at your preferred price.
Get our help negotiating
Let our team handle the negotiations and get back to you once the best deal is made.
Order safely
Artsper’s satisfaction guarantee
With Artsper, you have the opportunity to return a work free of charge within 14 days of receipt if it does not suit you, for whatever reason. You will then receive a full refund for your order.
Protect your purchase with Artsper’s payment partners
All credit card payments are processed by Paybox, the trusted leader in payment processing for international businesses. Paybox ensures the highest level of security.
Get specialized support from Artsper in the event of a problem
On the rare occasion that a work of art arrives in a different condition than described, we will work to administer a return, refund, restoration or exchange for you. Our team will always keep you informed on the progress of your request and will go above and beyond to offer you personalized solutions.
To benefit from Artsper’s protections you must:
-
Place your order using one of Artsper's payment methods.
-
Report any issues to Artsper within one week of receiving your work.
-
Provide all requested photographic evidence of the problem (including the original artwork and packaging).
Artsper’s guarantee covers the following problems:
-
You receive a work that’s missing a described characteristic (such as a signature or a frame)
-
You receive a work with different characteristics than those described at the time of purchase
-
You receive a damaged piece of work
-
Your purchase is declared lost or damaged during transit
-
You receive a work that is a different in color than what you ordered
-
Your purchase is delayed
Artsper gives you access to the largest catalog of contemporary artworks, from the best galleries (200,000 works, 25,000 artists, 2,000 partner galleries).
We select the galleries with which we collaborate. This demanding selection, operated by our team of experts, offers you several guarantees:
- Double expertise regarding the quality and originality of the works. On the one hand by professional galleries that select their artists and works. On the other hand by Artsper which selects its partner galleries according to the quality of their catalog and their reputation.
- Access to the entire catalog of works from our partner galleries, sold at the same price as in the gallery.
- The possibility of returning purchased works (within 14 days) if they do not suit you, wherever you are in the world. Which is not the case outside Artsper.
- The possibility of easily reselling the work you purchased on Artsper.
We also facilitate the search for works according to your preferences thanks to our intelligent features such as:
- Your custom selection, created based on your tastes;
- Your custom universe, choose from our different universes the one that suits you and access selections of works!
Or simply thanks to our filters on the catalog allowing you to refine your searches.
Our customer service is also at your service and responds within the shortest time!
For some artworks, you can negotiate the price. If the price of the work is negotiable, you have a “Make an offer” button under the “Buy this work” one.
To submit your offer, you must make a payment of the desired amount. Your offer will then be forwarded to the gallery, which reserves the right to accept or reject it. If your offer is accepted, it means that your order is confirmed by the gallery and they will prepare the artwork for shipment. If your offer is rejected, you will be refunded the total amount paid automatically. The gallery can also propose a counter-offer for the acquisition of the artwork.
If you have any questions, please feel free to contact us: [email protected].
Artsper delivers worldwide!
However, please note that once your order reaches its destination, it may be subject to VAT or other customs fees. These charges are beyond our control and you will be responsible for paying them (this is indicated at the ‘checkout’ first step).
Select the delivery address of your choice. Please make sure that someone is present to receive your order.
If your billing address is different to your delivery address you can specify this at the checkout.
You can return the artwork without needing to provide a reason or pay a penalty fee up to 14 days after receiving your order.
In the case that the right of withdrawal is exercised in the aforementioned time frame, the price of the artwork(s) purchased and the shipping costs will be reimbursed by us as soon as the gallery has received the artwork and notified us.
Artsper will manage the return of the work and will bear the cost of returns (which will either be paid by you and refunded by Artsper or directly paid by Artsper).
The artwork must be returned in perfect condition and in its original packaging (or equivalent).
The buyer exercises his right of withdrawal directly from MUMART, by sending an email to the address: [email protected].
If you have bought a painting, a sculpture or a work on paper, find expert advice on its conservation and how to best enhace it: