![Print, Sin titulo, Max Ernst](https://media.artsper.com/artwork/2243934_1_s.jpg)
by Max Ernst
Print : eau-forte
32 x 25 cm 12.6 x 9.8 inch
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Numbered and limited to 3 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Print: eau-forte
Dimensions cm • inch
32 x 25 cm 12.6 x 9.8 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
Provenance: Genevieve and Jean Paul Kahn collection.
Particularities of the work: Original print signed by hand by the artist in pencil at the bottom right, numbered III/III. This work is an additional wide-margined edition of illustration 4 of the tribute book to Eluard "a poem in each book" published in 1956 in 120 copies. In the book illustration 4 is positioned next to Paul Eluard's poem "Imbécile habitant" taken from the collection "Exemple" (1921). The work offered here comes from the album called "Album A", Reprinted from the book in 20 copies. Each album contains like the book 16 prints but they were printed with large margins and unlike the prints in the book, all signed or monogrammed by the artists. The album we have was the property of the publisher Louis BRODER. It stands out from the others because it is enriched in addition to the 16 wide-margined illustrations of many other prints (including this work by Max Ernst) collected by the publisher throughout his collaboration with the artists on this book.
Expert's comment : It was in 1922 that Max Ernst met Paul Eluard, it was artistic love at first sight between the two men. It is therefore logical that max Ernst is present in Album A with this magnificent etching illustrating in the book the poem "Imbécile habitant" taken from "Examples" written in 1921. was "poet, friend of poets and poetry" and that his works were "poems in prose, famous novels in pictures accompanied by captions".
Explanatory photo 1: Comparison between Album A offprint of "a poem in each book" printed in 20 copies and the book "a poem in each book" printed in 120 copies.
Explanatory photo 2: Album A offprint of 20 copies having belonged to the publisher Louis Broder contained in a gray canvas box with a label stuck on the back and the first cover.
Explanatory photo 3: Proof of printing of Album A which indicates the maximum number of copies of prints contained in total in the 20 albums as well as the names of the artists. It is annotated in red pencil "Editor's copy B" because it belonged to Louis Broder.
Explanatory photo 4: Original print signed and printed with wide margins by Pablo Picasso, contained in album A
Explanatory photo 5: Original print signed and printed with large margins by Max Ernst, contained in album A
Explanatory photo 6: Book "a poem in each book" printed in 120 copies, containing the 16 prints unsigned by the artists (signatures on the proof of printing of the book)
Explanatory photo 7: Print by Pablo Picasso on double page, unsigned contained in the book "a poem in each book"
Explanatory photo 8: Print by Max Ernst unsigned contained in the book "a poem in each book"
About the seller
WD ART GALLERY Modern • France
Artsper seller since 2022
Vetted Seller
Imagine it at home
![Max Ernst, Sans titre (Un poème dans chaque livre Paul Eluard) Ref BDNW2913 Max Ernst, Sans titre (Un poème dans chaque livre Paul Eluard) Ref BDNW2913](https://media.artsper.com/artwork/1905456_1_l.jpg)
Discover more by the artist
Works in prints from Max Ernst
Presentation
Max Ernst is a German painter and sculptor born in 1891 in Brühl and who died in 1976 in Paris. The son of painter Philipp Ernst, he began studying philosophy at the University of Bonn in 1909, but quickly abandoned this in order to devote himself to art. In 1911, Ernst met the members of the Blaue Reiter group with whom he exhibited two years later.
Between 1909 and 1913, his early paintings were inspired by expressionism, then later became more surreal. In 1913, he left for Paris and met Guillaume Apollinaire and Robert Delaunay. The First World War then spread through Europe and Max Ernst found a common desire for protest among his colleagues in the Dada movement. He then actively participated in the Dada movement in Cologne, which became an important centre for the movement. Paul Klee and Marcel Duchamp were marked influences on his works at this time.
In 1929, Max Ernst discovered De Chirico's metaphysical painting, and became Paul Eluard's friend in 1921. He then explored dream painting in a fantastically realist style. In 1925, he invented the technique of 'frottage' (rubbing), where he would let his pencil move over a piece of paper placed on various surfaces, allowing mysterious patterns to appear at random. Over the course of his many travels, he also made collages and later tried his hand at sculpture.
In 1945, Max Ernst fled from Europe to New York where he continued his art with Marc Chagall and Marcel Duchamp while also contributing to the birth of abstract expressionism. However, he returned to France in the 1950s and after receiving a prize at the Venice Biennale, he was excluded from the surrealist movement. The Max Ernst Museum with 300 of his works opened in Brühl in 2005 and many exhibitions are dedicated to him, notably in Paris.
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