by Remo Brindisi
Print : lithography
50 x 70 x 0.1 cm 19.7 x 27.6 x 0 inch
One of the last works available by this artist
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Numbered and limited to 150 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Print: lithography
Dimensions cm • inch
50 x 70 x 0.1 cm 19.7 x 27.6 x 0 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Italy
provenance: Dialoghi Club - Biella.
info
Each graphic work is accompanied by a certificate of authenticity and provenance (signature and embossed stamp with description, photographic reference and numbering) issued in accordance with the law as an authorized publisher/subject.
The works can be viewed in Rimini/Riccione, by appointment, without any commitment and kept in the protective folder without a frame, untouched and in perfect condition - any exceptions are always indicated in the description.
The details and images of critical texts and/or catalogs are presented for descriptive and informative purposes only, they are not included in the sale but we will gladly release a copy upon request.
The sample of graphics delivered could have a different numbering based on the availability of the edition.
Shipping with tracking via express courier in professional rigid anti-burglary packaging.
About the seller
Stefanini Arte • Italy
Artsper seller since 2022
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Works in prints from Remo Brindisi
Presentation
He came into contact with Ardengo Soffici and Ottone Rosai in Florence in 1940 and held his first solo show there, with a presentation by Eugenio Montale. The period from 1943 to 1946, which he spent in Venice, saw the start of large-scale involvement in exhibitions and constant participation in the Rome Quadrennial and the Venice Biennial as well as connections with the major private galleries of Milan and Venice.
As a result of a move to Milan, the post-war period saw a short phase marked by the influence of Cubist painting as interpreted in an expressionistic and existential sense. Brindisi formed the Gruppo di Linea together with Gianni Dova and Ibrahim Kodra and was later associated with the realist movement, while maintaining, however, complete autonomy with respect to the major artistic trends of the age. His focus on issues of social commitment and protest culminated in the period 1960–61 with a series of large paintings devoted to the history of Fascism, in which figurative painting of an expressionist character was combined with an approach modelled on the examples of Art Informel. The 1970s and ’80s saw the continuation of the same repertoire distinguished by intense and violent colour and characteristically flattened figures in two-dimensional space.
Brindisi was director of the Macerata Academy of Fine Arts and president of the Milan Triennial in 1972. He died at Lido di Spina in 1996.
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