![Print, Composition abstraite, Kim En Joong](https://media.artsper.com/artwork/2222324_1_s.jpg)
by Kim En Joong
Print : lithography
75.5 x 56 x 0.05 cm 29.7 x 22 x 0 inch
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Numbered and limited to 225 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Print: lithography
Dimensions cm • inch
75.5 x 56 x 0.05 cm 29.7 x 22 x 0 inch Height x Width x Depth
Support
Framing
Not framed
About the seller
Art Works Paris Seoul Gallery • South Korea
Artsper seller since 2017
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Imagine it at home
![Kim En Joong, Monde Imaginaire VII Kim En Joong, Monde Imaginaire VII](https://media.artsper.com/artwork/2150153_1_l.jpg)
Discover more by the artist
Works in prints from Kim En Joong
Presentation
In 1956, his decisive meeting with a calligraphy teacher will push him towards graphic arts; he will study at the Beaux-Arts School of Seoul, and follow French lessons given by the foreign mission. Quickly, he chooses to study occidental painting and gets interested in impressionism, cubism and abstract art.
Then Kim fulfils his dream and goes to Switzerland to study history of Art, then theology and metaphysics. His meeting with the Dominicans reinforce his vocation and on the 4th of August 1979, Kim En Joong puts on for the first time the white outfit of the Friar Preachers, his priestly ordination would take place four years later. He was assigned to the Annunciation Covent in Paris, that will become and his always, his community life and artist place.
He already had been exhibited in Seoul during his studies at the Beaux-Arts School, but in 1973 it is the first time his white and black works of art are exhibited at the Massol Gallery in Paris. Years after years he manages to combine both of his vocations encouraged by the Friar Preachers and the art critics. He is known as the "White painter" or "The painter of light".
In 1980, the future seems brighter: Kim's path crosses the boarders of the Hexagon: The Pauli Gallery in Lausanne, Mée in Seoul, Artes in Oslo, Kutter in Luxemburg, Hannan Feldmann in Bern, Guillaume Daeppen in Frankfurt welcome the man in white.
Then the artist gives up acrylic painting for oil painting, and creates large formats where the whites are reduced, and colors delicately assert themselves.
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