![Painting, Voyages en Arcadie N°122, Gilbert Sabatier](https://media.artsper.com/artwork/2213314_1_s.jpg)
Voyages en Arcadie N°122
Gilbert Sabatier
Painting - 50 x 40 x 1.8 cm Painting - 19.7 x 15.7 x 0.7 inch
$1,480
Painting : oil
73 x 60 x 2 cm 28.7 x 23.6 x 0.8 inch
Free returns within 14 days
Authenticity guaranteed
Learn moreSecure payment
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Painting: oil
Dimensions cm • inch
73 x 60 x 2 cm 28.7 x 23.6 x 0.8 inch Height x Width x Depth
Support
Framing
Sky blue ornate
Artwork dimensions including frame
77.8 x 64 x 3.8 cm 30.6 x 25.2 x 1.5 inch
Artwork sold in perfect condition
Artwork location: France
Work from the period “In search of the timeless" (1972-1974)
Compared to “Aerial Surrealism", this new period did not constitute a break but testified to my more serene vision of human beings facing their metaphysical questions.
Excluding any scientific basis, my interpretation was synonymous with the acceptance of quantifiable human time and infinite divine time. However, I opened windows onto possible spaces of timelessness.
By stopping or slowing down cosmic mechanics, I wondered if men could access eternity while freeing themselves from the order designed by the Great Architect.
By compressing our biological duration to the second and the universe to the century, I slipped pauses into these clocks. These erased space and duration. However, I did not deny time. I suspended it and made it my own by welding past, present and future. I objected to a before and after Big Bang. My steps no longer followed those of the god Chronos: no beginning or end.
When reading, listening to music or looking at photographs, I always felt the physical presence of the fictional characters and their creators.
How many times have I let myself be carried away by a 19th century symphony and experienced the return to life of my favorite composers?
Little by little, the idea came to me of possibilities of resistance to time. The representation of my fantasies changed. My characters became flesh beings again. Their spirituality and understanding of the infinite made them seem less translucent. They found themselves in spheres of humanity. Their anxieties disappeared, giving way to serenity.
On my paintings, men became aware that, by their very existence, they could model time Freed from the agonies of identity questions, they no longer tried to hide the ephemeral. Although the solitude was still present, the general atmosphere of my paintings was tinged with a warmer color. Suspended, the dreams of my creatures no longer released this poisonous milk which once paralyzed them to the point of forgetting that they were alive.
Furthermore, I wanted my art to go beyond the traditional representation of nature through its projections. Far from Cartesian thought and scientific rigor, my works played with the unconscious. Perhaps they were trying to interpret nature so that it would end up imitating them...
In any case, this new period tended towards a reconciliation with the deserved Eden. I was no longer suggesting cataclysms. Human beings had their destiny in hand. If they were not the originator of the spark of all life, they were the ones who thought and acted.
The dark backgrounds of my paintings were crossed by lightning reflecting celestial deserts, privileged places of meditation. The poses of the characters became more restful and more static, like a suspended time of reflection.
The unity of my paintings combined well-being and communion. I no longer represented damnation, resurrection, divine anger and floods, signs of the faults of humanity. On the contrary, my characters, thinking beings, became the universe in an understanding with the cosmos.
Vallobra, art critic, discoverer of the surrealist painter Delvaux, wrote in 1973 that the fantastic and the Dantesque confront each other in the work, bordering on the surreal as conceived by G. Sabatier.
A breath evoking tragic biblical scenes seems to separate and dislocate man between light and darkness.
By ignoring Sabatier's tormented subjectivity and only defining his objectivity in a pictorial way, we can consider that his research into decantation and dematerialization of the mass and volume of painted subjects achieves transfiguration by only juxtaposing with a extreme finesse the soul of things.
About the seller
Professional art gallery • France
Vetted Seller
This seller rewards your purchases of multiple artworks
Gilbert Sabatier is a painter, engraver, sculptor. A creator since 1960, he is the author of 19 periods ranging from figurative to contemporary research. His total work represents two thousand paintings, 800 sculptures and 250 engravings.
His work is a hypnotizing and protean universe that questions the art of our time in all its forms, colors and movements. Explorer of the impossible, alchemist of matter and adventurer of art, Sabatier has never stopped creating paintings, engravings, screen prints and sculptures, sometimes monumental, sometimes light.
From his figurative early works to his research on weightlessness and suspended time, from his paintings between dreams and reality to his quest for abstraction, from his fascination with the laws of the universe to the invention of a new genre, synthesis of all his obsessions, the artist opens up like never before.
Throughout his life, he tried to artistically express the aspirations and doubts of human beings in the face of an undeciphered universe. For those who discover his work to immerse themselves in the heart and mind of a resolutely free artist.
PAINTER • ENGRAVER • SCULPTOR
PRESENTATION OF THE ARTIST© NRCO
Born in 1941 in Haiphong (Vietnam), and painter since 1960, Gilbert Sabatier is the author of 2000 paintings, 800 sculptures, 250 engravings, illustrations – works present in various personal, group, national and international exhibitions . He is the creator of 19 periods ranging from classic to contemporary research.
His largest painting reaches 60 m² and his largest sculpture 18 meters long. As for his first important work, The Last Supper, exhibited at the Salon des Artistes Français in Paris in 1963, it was acquired by the church of Vineuil (Loir et Cher).
He lives and works in Orléans as well as in Loir et Cher.
(Personal Exhibition = EP)
Protect your purchase
We’re here to help you collect art securely. When you browse and buy on Artsper, you benefit from our guaranteed protections.
Buy works from the best galleries
We partner with the best art galleries. All sellers on Artsper have been carefully reviewed and approved by our team. All of our partner galleries respect our code of ethics.
Know what you’re getting
Each work on Artsper is studied and validated by our team before appearing online. Get personalized support Contemporary art specialists are available by phone and email to answer all of your questions about our works of art. Get personalized advice and curated suggestions for your collection.
Resell your artworks
As a private individual, you have the possibility to resell on Artsper your works acquired on Artsper. For more information click here.
Make an offer with Artsper
Negotiate prices
Price negotiation is possible. Like in a gallery, this allows you to open a discussion and purchase your works at your preferred price.
Get our help negotiating
Let our team handle the negotiations and get back to you once the best deal is made.
Order safely
Artsper’s satisfaction guarantee
With Artsper, you have the opportunity to return a work free of charge within 14 days of receipt if it does not suit you, for whatever reason. You will then receive a full refund for your order.
Protect your purchase with Artsper’s payment partners
All credit card payments are processed by Paybox, the trusted leader in payment processing for international businesses. Paybox ensures the highest level of security.
Get specialized support from Artsper in the event of a problem
On the rare occasion that a work of art arrives in a different condition than described, we will work to administer a return, refund, restoration or exchange for you. Our team will always keep you informed on the progress of your request and will go above and beyond to offer you personalized solutions.
To benefit from Artsper’s protections you must:
Place your order using one of Artsper's payment methods.
Report any issues to Artsper within one week of receiving your work.
Provide all requested photographic evidence of the problem (including the original artwork and packaging).
Artsper’s guarantee covers the following problems:
You receive a work that’s missing a described characteristic (such as a signature or a frame)
You receive a work with different characteristics than those described at the time of purchase
You receive a damaged piece of work
Your purchase is declared lost or damaged during transit
You receive a work that is a different in color than what you ordered
Your purchase is delayed
Artsper gives you access to the largest catalog of contemporary artworks, from the best galleries (200,000 works, 25,000 artists, 2,000 partner galleries).
We select the galleries with which we collaborate. This demanding selection, operated by our team of experts, offers you several guarantees:
We also facilitate the search for works according to your preferences thanks to our intelligent features such as:
Or simply thanks to our filters on the catalog allowing you to refine your searches.
Our customer service is also at your service and responds within the shortest time!
For some artworks, you can negotiate the price. If the price of the work is negotiable, you have a “Make an offer” button under the “Buy this work” one.
To submit your offer, you must make a payment of the desired amount. Your offer will then be forwarded to the gallery, which reserves the right to accept or reject it. If your offer is accepted, it means that your order is confirmed by the gallery and they will prepare the artwork for shipment. If your offer is rejected, you will be refunded the total amount paid automatically. The gallery can also propose a counter-offer for the acquisition of the artwork.
If you have any questions, please feel free to contact us: [email protected].
Artsper delivers worldwide!
However, please note that once your order reaches its destination, it may be subject to VAT or other customs fees. These charges are beyond our control and you will be responsible for paying them (this is indicated at the ‘checkout’ first step).
Select the delivery address of your choice. Please make sure that someone is present to receive your order.
If your billing address is different to your delivery address you can specify this at the checkout.
You can return the artwork without needing to provide a reason or pay a penalty fee up to 14 days after receiving your order.
In the case that the right of withdrawal is exercised in the aforementioned time frame, the price of the artwork(s) purchased and the shipping costs will be reimbursed by us as soon as the gallery has received the artwork and notified us.
Artsper will manage the return of the work and will bear the cost of returns (which will either be paid by you and refunded by Artsper or directly paid by Artsper).
The artwork must be returned in perfect condition and in its original packaging (or equivalent).
The buyer exercises his right of withdrawal directly from MUMART, by sending an email to the address: [email protected].
If you have bought a painting, a sculpture or a work on paper, find expert advice on its conservation and how to best enhace it:
Choose your preferences
The art is yours
The art is yours