Feel the blue II
Ritchelly Oliveira
Painting - 123 x 98 x 4 cm Painting - 48.4 x 38.6 x 1.6 inch
$12,178
Painting : acrylic, charcoal
35 x 35 x 3 cm 13.8 x 13.8 x 1.2 inch
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Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
35 x 35 x 3 cm 13.8 x 13.8 x 1.2 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Portugal
"Blind in the freedom of not having you I" by Ritchelly Oliveira is a captivating portrayal of depth and symbolism, resonating with themes of love, fragility, and identity. Set against a backdrop of warm yellow, the color itself evokes feelings of warmth, hope, and optimism.
In the center of the canvas, a striking portrait of a man commands attention. His features are rendered with meticulous detail, suggesting a sense of realism and emotional depth. Yet, his eyes draws the viewer in most profoundly. His eyes are inhabited by birds, each one symbolizing fragilities – delicate aspects of the human experience that make us vulnerable yet also endow us with profound beauty.
The birds speak volumes about the complexities of human emotion, vulnerability, and resilience. Through this imagery, Oliveira captures the essence of fragility, illustrating how our vulnerabilities can simultaneously enrich and challenge our lives.
Oliveira's artistic style is characterized by its poignant exploration of themes such as love, fragility, and the experiences of black individuals. Through his work, he offers a profound commentary on the human condition, inviting viewers to contemplate the intricacies of identity, emotion, and connection.
About the seller
Tilsitt Gallery • Portugal
Artsper seller since 2022
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Ritchelly Oliveira, visual artist, began his work in 2012, shortly after enrolling in visual arts at the Federal University of Goiás (UFG), he found in the human figure a space to present his speech about what he understands most profoundly present in affective relationships. He talks about what he suspects to be love and, believing it to be a universal feeling. It proposes what is common to men, even knowing that this love brings something that is also individual and particular.
Believing that affective relationships are built from the individual and how their surroundings interfere with them, we try to rescue here the possibility of constructing discourses about love, especially black love. The importance of reflecting together on issues such as sexuality, emotional responsibility and colorism are necessary canons in this invitation to embrace the dangerous and exclusionary ideals of romantic love that circulate in our environments.
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