Gestural abstraction
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Table By The Window
Newel Hunter
Painting - 91.4 x 91.4 x 3.8 cm Painting - 36 x 36 x 1.5 inch
$4,650
All lthe Ins and Outs
Newel Hunter
Painting - 91.4 x 91.4 x 3.8 cm Painting - 36 x 36 x 1.5 inch
$5,300
Dancing with the Devil
Newel Hunter
Painting - 101.6 x 76.2 x 2 cm Painting - 40 x 30 x 0.8 inch
$4,700
Nothing But Trouble
Newel Hunter
Painting - 91.4 x 91.4 x 3.8 cm Painting - 36 x 36 x 1.5 inch
$5,300
Meeting in the Middle Diptych
Newel Hunter
Painting - 61 x 121.9 x 3.8 cm Painting - 24 x 48 x 1.5 inch
$5,250
Thinking Out Loud Diptych
Newel Hunter
Painting - 121.9 x 61 x 3.8 cm Painting - 48 x 24 x 1.5 inch
$5,250
Unanticipated Interaction
Newel Hunter
Painting - 45.7 x 61 x 2 cm Painting - 18 x 24 x 0.8 inch
$2,300
Putting It Out There,
Newel Hunter
Painting - 101.6 x 76.2 x 3.8 cm Painting - 40 x 30 x 1.5 inch
$5,300
Fragments d'émotion - Pourpre
Bonus
Painting - 54 x 65 x 0.5 cm Painting - 21.3 x 25.6 x 0.2 inch
$1,729
Anata and Watashi (You & Me)
Newel Hunter
Painting - 91.4 x 91.4 x 3.8 cm Painting - 36 x 36 x 1.5 inch
$4,650
Gathering bliss Triptych
Newel Hunter
Painting - 50.8 x 121.9 x 0.8 cm Painting - 20 x 48 x 0.3 inch
$3,750
A Lightness of Being
Newel Hunter
Painting - 101.6 x 76.2 x 3.8 cm Painting - 40 x 30 x 1.5 inch
$4,450
All That Boogie-Woogie
Newel Hunter
Painting - 76.2 x 101.6 x 3.8 cm Painting - 30 x 40 x 1.5 inch
$4,550
Fresh Perspectives
Newel Hunter
Painting - 101.6 x 76.2 x 3.8 cm Painting - 40 x 30 x 1.5 inch
$4,600
Dreaming in Shades of Color
Newel Hunter
Painting - 61 x 76.2 x 3.8 cm Painting - 24 x 30 x 1.5 inch
$3,550
In Wonder and Amazement
Newel Hunter
Painting - 101.6 x 76.2 x 3.8 cm Painting - 40 x 30 x 1.5 inch
$4,600
When the spirit moves me
Newel Hunter
Painting - 101.6 x 66 x 0.3 cm Painting - 40 x 26 x 0.1 inch
$3,800
The inevitable conclusion (Diptych)
Newel Hunter
Painting - 121.9 x 182.9 x 3.8 cm Painting - 48 x 72 x 1.5 inch
$4,650
Gestural abstraction
The phrase gestural abstraction refers to a way of making art - not what necessarily gets painted, but how it does. By abandoning the application of paint to a surface in a controlled and premeditated way, gestural painters apply paint intuitively, physically, by dripping, splattering, pouring, smearing or throwing it at the surface itself. What matters to the gestural abstraction painters then isn't the paint but the physicality, honesty, intuition and deep personal expression. This in turn leads to the artist abandoning a focus on subject matter, turning inward for inspiration. As such, the act of painting itself becomes the subject. Willem de Kooning, Lee Krasner and Franz Kline led this movement from the 1940s onwards, with Jackson Pollock undoubtedly being the most notable with his pierced paint tins, dripping across the surface of Number 1A, 1948 (1948). Abstract gestural painters explore their deepest emotions and they express that part of themselves during the physical act of painting. Pollock would later note that he had no fears about making changes to a painting, because, he said, the work has a life of its own. The painting itself is a relic of the action, it is a recording of the gestures made. Still influencing artists today, the likes of Caroline Vis and Sebastien Desnos (s3b desnos) both reference Pollock in their work, either echoing the expression of emotion or indeed as Desnos puts it, “action painting."