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La fratrie n°3 a
Michel Bassompierre
Sculpture - 12 x 9 x 9.5 cm Sculpture - 4.7 x 3.5 x 3.7 inch
$4,300
Abstract Wall Art Drawing/Painting #01092023
Michael Verlangieri
Painting - 55.9 x 76.2 x 0.3 cm Painting - 22 x 30 x 0.1 inch
$4,005
Tribute to Picasso
M. Asuncion Raventos
Painting - 97 x 146 x 3 cm Painting - 38.2 x 57.5 x 1.2 inch
$3,169
Massifs des Fitz
Paul de Chatelperron
Fine Art Drawings - 21 x 36 x 0.1 cm Fine Art Drawings - 8.3 x 14.2 x 0 inch
$396
I'll Be Back Soon
Claudia Chang
Painting - 72.5 x 60.5 x 3 cm Painting - 28.5 x 23.8 x 1.2 inch
$3,395
Baby Doll n148, CH Tribute
Rachel Bergeret
Painting - 72 x 42 x 2 cm Painting - 28.3 x 16.5 x 0.8 inch
$3,904
I Am Beautiful - Swan - Lake
Trayko Popov
Painting - 80 x 80 x 2 cm Painting - 31.5 x 31.5 x 0.8 inch
$2,037
L'homme augmenté
Violeta Mouysset dite Mvili
Painting - 80 x 80 x 2.5 cm Painting - 31.5 x 31.5 x 1 inch
$1,584
Are you Humain ?
Violeta Mouysset dite Mvili
Painting - 80 x 80 x 2.5 cm Painting - 31.5 x 31.5 x 1 inch
$1,584
La colère des Dieux
Violeta Mouysset dite Mvili
Painting - 80 x 80 x 2.5 cm Painting - 31.5 x 31.5 x 1 inch
$1,584 $1,426
Pays #184
Philippe Bréson
Photography - 27 x 27 x 0.2 cm Photography - 10.6 x 10.6 x 0.1 inch
$1,018
Sunset Over the Kingdom
Grégoire Devin
Painting - 180.3 x 180.3 x 5.1 cm Painting - 71 x 71 x 2 inch
$17,400
Elephant with Ballons
Valay Shende
Sculpture - 120 x 45 x 50 cm Sculpture - 47.2 x 17.7 x 19.7 inch
$62,240
Glitch #03. From the series Glitch
Yongwon Noh
Design - 15.7 x 6.9 x 6.9 cm Design - 6.2 x 2.7 x 2.7 inch
$1,300
Autum birch trees
Alvaro Petritoli
Painting - 72 x 40 x 3 cm Painting - 28.3 x 15.7 x 1.2 inch
$1,313
Glitch #02. From the series Glitch
Yongwon Noh
Design - 18.8 x 8.9 x 8.9 cm Design - 7.4 x 3.5 x 3.5 inch
$1,300
Glitch #01. From the series Glitch
Yongwon Noh
Design - 26.9 x 9.9 x 9.9 cm Design - 10.6 x 3.9 x 3.9 inch
$1,300
Moon night cloud
Alvaro Petritoli
Painting - 31 x 39 x 3 cm Painting - 12.2 x 15.4 x 1.2 inch
$1,256
Big heart
Nataliia Krykun
Sculpture - 150 x 150 x 4 cm Sculpture - 59.1 x 59.1 x 1.6 inch
$7,582 $6,824
Ours polaire assis (pm) 7/8
Isabelle Carabantes
Sculpture - 37 x 25 x 22 cm Sculpture - 14.6 x 9.8 x 8.7 inch
$8,148
Smile 2
Nataliia Krykun
Sculpture - 150 x 150 x 4 cm Sculpture - 59.1 x 59.1 x 1.6 inch
$8,714 $7,842
Smile 2
Nataliia Krykun
Sculpture - 150 x 150 x 4 cm Sculpture - 59.1 x 59.1 x 1.6 inch
$7,582 $6,824
Moonwalk on wheels 2
Guillaume Nicolaou
Sculpture - 150 x 70 x 12 cm Sculpture - 59.1 x 27.6 x 4.7 inch
$3,621
The world has gone blue
Thomas Lesigne
Painting - 23 x 28 x 0.1 cm Painting - 9.1 x 11 x 0 inch
$1,120
Le vol de la paix (a tribute to Picasso)
Dr. Love
Painting - 30 x 40 x 0.2 cm Painting - 11.8 x 15.7 x 0.1 inch
$55
A dream of imperfections / Totem 2, White
Guillaume Nicolaou
Painting - 160 x 110 x 5 cm Painting - 63 x 43.3 x 2 inch
$2,376
Break the silence
Isabelle Scheltjens
Painting - 144 x 112 x 4.5 cm Painting - 56.7 x 44.1 x 1.8 inch
$22,067
Neue Kammern Enfilade I. From the Neue Kammern Enfilades series
Celia Rogge
Photography - 152.4 x 101.6 x 0.3 cm Photography - 60 x 40 x 0.1 inch
$8,250
Neue Kammern Potsdam VI. From the Neue Kammern Enfilades series
Celia Rogge
Photography - 152.4 x 101.6 x 0.3 cm Photography - 60 x 40 x 0.1 inch
$8,250
Birthday pop cakes in the 18th century
David Carey
Photography - 18 x 9 x 0.1 cm Photography - 7.1 x 3.5 x 0 inch
$112
Tuba Tree. Tuba Tree Collection
Tuba Onder Demircioglu
Sculpture - 37 x 29 x 29 cm Sculpture - 14.6 x 11.4 x 11.4 inch
$7,412
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!