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Mirella Petteni, Oslo
F.C. Gundlach
Photography - 59.7 x 50.2 x 0.3 cm Photography - 23.5 x 19.75 x 0.1 inch
$7,900
Fields of France
Emily Latimer
Photography - 44.5 x 54.5 x 3 cm Photography - 17.5 x 21.5 x 1.2 inch
$3,524
Ray of light ,C Chaplin
Tigi Van Gil
Photography - 110 x 120 x 2 cm Photography - 43.3 x 47.2 x 0.8 inch
$9,094
Dance Moods - Lacina Coulibaly
Antoine Tempé
Photography - 60 x 50 x 4 cm Photography - 23.6 x 19.7 x 1.6 inch
$4,320
Tokyo
Christer Stromholm
Photography - 28.5 x 20.5 x 1 cm Photography - 11.2 x 8.1 x 0.4 inch
$4,000
Paul Mc Cartney of The Beatles at George V Hotel
Roger Kasparian
Photography - 100 x 80 x 0.1 cm Photography - 39.4 x 31.5 x 0 inch
$4,341
Interior de la Iglesia de Espejo (Cordoba) en septiembre de 1937
Equipo Realidad
Print - 69 x 71 cm Print - 27.2 x 28 inch
$341
La mer et la montagne
Jérome Obiols
Photography - 100 x 140 x 0.1 cm Photography - 39.4 x 55.1 x 0 inch
$4,206
De Myrha à Babylone - Série poussette crèche 2
Valérie Donzelli
Photography - 22.5 x 22.5 cm Photography - 8.9 x 8.9 inch
$341
Behind Her Back
Jordana Ozier Lafontaine
Photography - 30 x 20 cm Photography - 11.8 x 7.9 inch
$296
Dans les rues de Biot
Raph Eye's
Photography - 30 x 20 x 4 cm Photography - 11.8 x 7.9 x 1.6 inch
$159
E2
Jean-Paul Veison Marcelli
Photography - 20 x 30 x 0.3 cm Photography - 7.9 x 11.8 x 0.1 inch
$178
Jeune femme
Albena Vatcheva
Fine Art Drawings - 50 x 50 x 0.1 cm Fine Art Drawings - 19.7 x 19.7 x 0 inch
$472
Mythology
Nobuyoshi Araki
Photography - 107 x 81 x 0.2 cm Photography - 42.1 x 31.9 x 0.1 inch
$25,009
Paula on the beach
John Isaacs
Photography - 130 x 130 x 0.8 cm Photography - 51.2 x 51.2 x 0.3 inch
$18,188
Line Obsession
Delphine Diallo
Photography - 30 x 22 x 2 cm Photography - 11.8 x 8.7 x 0.8 inch
$3,126
Catch Me If You Can
MARC LAGRANGE
Photography - 70 x 50 x 2 cm Photography - 27.6 x 19.7 x 0.8 inch
$10,799
Baccarat II, Paris
Ellen von Unwerth
Photography - 36.8 x 54.6 cm Photography - 14.5 x 21.5 inch
$9,000
Série Lignes Blanches, A
Stefan Hoareau
Photography - 100 x 100 x 0.3 cm Photography - 39.4 x 39.4 x 0.1 inch
$4,433
2050-69
Van de Camp & Heesterbeek
Photography - 100 x 100 x 1 cm Photography - 39.4 x 39.4 x 0.4 inch
$3,979
Nudo con giglio
Massimo Attardi
Photography - 100 x 100 x 4 cm Photography - 39.4 x 39.4 x 1.6 inch
$4,092
Golfers - black and white photography
Allan Teger
Photography - 60 x 90 cm Photography - 23.6 x 35.4 inch
$1,705
Les enveloppes - image 5/13
Sarah Salazar
Photography - 140 x 100 x 1 cm Photography - 55.1 x 39.4 x 0.4 inch
$1,705
#40 - Free As A Veil
Eric Lespinasse
Photography - 72 x 128 x 2 cm Photography - 28.3 x 50.4 x 0.8 inch
$1,090
Room 310 - 12 Prints Collector Portfolio # 3 - Fine Art Photography
Eric Ceccarini
Print - 30 x 21 x 0.3 cm Print - 11.8 x 8.3 x 0.1 inch
$921
Ocean (dialog)
Nadia Heart
Fine Art Drawings - 75 x 75 x 0.01 cm Fine Art Drawings - 29.5 x 29.5 x 0 inch
$796
Ancient Dunes, Photograph, Archival ink jet
Aaron Knight
Photography - 76.2 x 50.8 x 0.3 cm Photography - 30 x 20 x 0.1 inch
$720
La lune n'a rien à craindre des loups #3
VAM / Jean-Pierre Gilson
Photography - 60 x 80 x 0.1 cm Photography - 23.6 x 31.5 x 0 inch
$1,933
Translacìon 360° I
Francisco Vázquez
Photography - 51 x 77 x 0.3 cm Photography - 20.1 x 30.3 x 0.1 inch
$625
Lady in Lace
Tran Huy Hoan
Photography - 96.5 x 88.9 x 0.6 cm Photography - 38 x 35 x 0.25 inch
$4,000
Phoebe, La Barque
André Carrara
Photography - 18 x 15 x 2 cm Photography - 7.1 x 5.9 x 0.8 inch
$853
Nude Carla Bruni, Harper Bazaar 1992
Philipe Robert
Photography - 100 x 75 x 5 cm Photography - 39.4 x 29.5 x 2 inch
$12,504
Haskins Posters Front Cover
Sam Haskins
Photography - 61.2 x 52.7 cm Photography - 24.09 x 20.76 inch
$7,100
Elena Mar, odalisca en mio patio
Alberto García-Alix
Photography - 40 x 50 x 0.1 cm Photography - 15.7 x 19.7 x 0 inch
$17,052
Kate Moss At 16
Jake Chessum
Photography - 101 x 51 x 0.01 cm Photography - 39.8 x 20.1 x 0 inch
$3,638
Ma liberté
Luc Masson-Todeschini
Photography - 25.9 x 20 x 0.1 cm Photography - 10.2 x 7.9 x 0 inch
$341
Sans titre
Alexandre Saint-Loup
Photography - 150 x 100 x 0.1 cm Photography - 59.1 x 39.4 x 0 inch
$2,762
Metaphysical Body Landscape #55
Anna Laza
Photography - 27 x 40 cm Photography - 10.6 x 15.7 inch
$500
Fiddlehead Fern
Mark Arbeit
Photography - 50.8 x 40.6 x 1.3 cm Photography - 20 x 16 x 0.5 inch
$2,200
Glance Towards the Oblivion
Fathi Hassan
Photography - 76 x 50 cm Photography - 29.9 x 19.7 inch
Price upon request
Hands Off
Lars Beusker
Photography - 126 x 166 x 5 cm Photography - 49.6 x 65.4 x 2 inch
Price upon request
No44 Spirit Series
Yevgeniy Repiashenko
Photography - 100 x 100 x 3.5 cm Photography - 39.4 x 39.4 x 1.4 inch
$4,138
Rhythmogramm 183 A
Heinrich Heidersberger
Photography - 59.4 x 42 x 0.1 cm Photography - 23.4 x 16.5 x 0 inch
$1,535
Kara et ses oreilles
Fatoumata Diabaté
Photography - 100 x 66 x 2 cm Photography - 39.4 x 26 x 0.8 inch
$3,410
A view from Untzillatx (Identity Revelations series)
Imanol Marrodán
Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch
$1,023
Aus dem Gruppenbuch der Christiane P. - „Es Gibt Nur Eine Wahrheit.“
Matthias Leupold
Photography - 50 x 40 x 0.1 cm Photography - 19.7 x 15.7 x 0 inch
$1,023
Black and white
Before the arrival of photography – with the exception of some etchings and lithographs – all the images we consumed were in colour. Quite simply, because no one would ever have thought to do anything else – why paint in black and white when colour was so readily available?
Yet despite this, today many photographers still choose to work in black and white – such as Pauline Théon, Kadir Von Lohuizen or Joh Lowenstein – even though their photos are taken in colour by the camera itself. Is the black and white trend a fleeting effect of fashion, or a symbolic return to the roots of the photography movement? Black and white photography has something that colour photos, despite recent innovations and the extraordinary quality of images today, cannot quite access. The use of black and white lends significant force to the composition: the contrasts, the shadows and the figures all stand out more strongly. People simply feel differently when faced with a colour photo versus a black and white image.
Colour is a distraction of sorts, a disturbance: colour is a nuisance.
And yet, some photographers still prefer colour to black and white, whilst others merge touches of colour with otherwise monochrome compositions. But in the end, all agree that both styles impose a totally different way of looking at a photo: from researching the shot to post production work, when artists develop or retouch the image. The use of colour is therefore something of a process in its own right, relating to two different ways of viewing the world and showing it others. The question, then, is what is being told, and why is it being in the way that it is?
The symbolic value of putting black and white together is a good starting point for reflecting on the fascination that they generate even today. There could not be a more fascinating, more striking ambivalence than when black, the 'colour' of darkness and burnt coal, considered a non-colour, is placed alongside white – representing light, and the result of all the colours merged together.
The problem faced by photographers today is that black and white still carry strong connotations of the past, of an era before the popularisation of colour and its massive cultural recovery amongst the press and photo journalists. In fact, it is rare now that contemporary subjects are photographed in colour, but we still associate black and white images with a retro feel.
So what does contemporary art have to say about it all? Discover Artsper's selection of black and white works: on the border of past and present, of the real and the imaginary… let us guide you!