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USA. Nevada and California. The Misfits, a film by John HUSTON. 1960 IV
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
$2,350
GB. Church Of England
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
$2,350
May the sky be my testimony
Ana Zegheanu
Photography - 20 x 20 x 0.02 cm Photography - 7.9 x 7.9 x 0 inch
$182
Two Glasses of Champagne Silhouette
Tyler Shields
Photography - 76.2 x 76.2 cm Photography - 30 x 30 inch
$5,000
Koudjour - 763602
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Koudjour - 763603
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Natanz Mosque - 765403
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Persepolis - 765902
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Persepolis - 765903
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Village in Snow - 7651203
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Alberta 152001
Simeon Posen
Photography - 63.5 x 101.6 x 5.1 cm Photography - 25 x 40 x 2 inch
$3,600
Karaj Chalus Highway - 763202
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Koudjour - 763601
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Shah Mosque Isfahan - 764903
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Shah Mosque Isfahan - 764908
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Shah Mosque Isfahan - 764910
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Tomb of Cyrus - 7651101
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Village in Snow - 7651204
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Persepolis - 765910
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Persepolis - 765911
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Persepolis - 765913
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Persepolis - 765914
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Persepolis - 765915
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
765101 - Iran Collection
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
765104 - Iran Collection
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Chehel Sitoun - 764701
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Friday Mosque Isfahan - 7641109
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Friday Mosque Isfahan - 764111
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Isfahan Bazaar - 7644802
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Isfahan Bazaar - 764807
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Isfahan Friday Mosque - 7641104
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Persepolis - 765909
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
7651003 - Iran Collection
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
7651001 - Iran Collection
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Persepolis - 765904
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Tokyo
Raynald Najosky
Photography - 40 x 60 x 1 cm Photography - 15.7 x 23.6 x 0.4 inch
$1,819 $1,637
Femme au temple
Raynald Najosky
Photography - 56 x 40 x 1 cm Photography - 22 x 15.7 x 0.4 inch
$1,250
Sumo 9
Raynald Najosky
Photography - 40 x 60 x 1 cm Photography - 15.7 x 23.6 x 0.4 inch
$1,819 $1,637
Series "Pipes" No. 08
Kat Zhivetin
Photography - 29.7 x 42 x 0.1 cm Photography - 11.7 x 16.5 x 0 inch
$690
Series "Pipes" No. 07
Kat Zhivetin
Photography - 29.7 x 42 x 0.1 cm Photography - 11.7 x 16.5 x 0 inch
$690
Series "Pipes" No. 06
Kat Zhivetin
Photography - 29.7 x 42 x 0.1 cm Photography - 11.7 x 16.5 x 0 inch
$690
Series "Pipes" No. 05
Kat Zhivetin
Photography - 29.7 x 42 x 0.1 cm Photography - 11.7 x 16.5 x 0 inch
$690
Dancer In The Dark (XXL)
Tyler Shields
Photography - 160 x 213.4 cm Photography - 63 x 84 inch
$50,000
Dancer In The Dark (L)
Tyler Shields
Photography - 101.6 x 152.4 cm Photography - 40 x 60 inch
$15,000
The Road to Kazbegi
Emil Farber
Photography - 39.2 x 26 x 0.1 cm Photography - 15.4 x 10.2 x 0 inch
$455
Life is Full of Possibilities
Marney-Rose Edge
Fine Art Drawings - 107 x 122 x 6 cm Fine Art Drawings - 42.1 x 48 x 2.4 inch
$1,819 $1,637
Sans titre
Julien Drogoul
Photography - 60 x 90 x 0.3 cm Photography - 23.6 x 35.4 x 0.1 inch
$1,023
Who will fly you there
Grzegorz Sikorski
Photography - 80 x 80 x 0.1 cm Photography - 31.5 x 31.5 x 0 inch
$284
Boxer Bruce
Sebastian Riemer
Photography - 125 x 100 x 3 cm Photography - 49.2 x 39.4 x 1.2 inch
$7,957
Femme à l'enfant (Namibie)
Alastair Mc Naughton
Photography - 28.5 x 20 cm Photography - 11.2 x 7.9 inch
$114
Kimono II
Raynald Najosky
Photography - 40 x 30 x 1 cm Photography - 15.7 x 11.8 x 0.4 inch
$796 $716
Kimono I
Raynald Najosky
Photography - 50 x 40 x 1 cm Photography - 19.7 x 15.7 x 0.4 inch
$796 $716
Botanical Studies - The B-Sides - No. 14
Matthias Conrad
Photography - 75 x 50 x 0.1 cm Photography - 29.5 x 19.7 x 0 inch
$1,989
Botanical Studies - The B-Sides - No. 13
Matthias Conrad
Photography - 75 x 50 x 0.1 cm Photography - 29.5 x 19.7 x 0 inch
$1,989
Botanical Studies - The B-Sides - No. 12
Matthias Conrad
Photography - 75 x 50 x 0.1 cm Photography - 29.5 x 19.7 x 0 inch
$1,989
Botanical Studies - The B-Sides - No. 11
Matthias Conrad
Photography - 75 x 50 x 0.1 cm Photography - 29.5 x 19.7 x 0 inch
$1,989
Botanical Studies - The B-Sides - No. 10
Matthias Conrad
Photography - 75 x 50 x 0.1 cm Photography - 29.5 x 19.7 x 0 inch
$1,989
Botanical Studies - The B-Sides - No. 09
Matthias Conrad
Photography - 75 x 50 x 0.1 cm Photography - 29.5 x 19.7 x 0 inch
$1,989
Botanical Studies - The B-Sides - No. 08
Matthias Conrad
Photography - 75 x 50 x 0.1 cm Photography - 29.5 x 19.7 x 0 inch
$1,989
Botanical Studies - The B-Sides - No. 05
Matthias Conrad
Photography - 75 x 50 x 0.1 cm Photography - 29.5 x 19.7 x 0 inch
$1,989
Botanical Studies - The B-Sides - No. 04
Matthias Conrad
Photography - 75 x 50 x 0.1 cm Photography - 29.5 x 19.7 x 0 inch
$1,989
Botanical Studies - The B-Sides - No. 03
Matthias Conrad
Photography - 75 x 50 x 0.1 cm Photography - 29.5 x 19.7 x 0 inch
$1,989
Botanical Studies - The B-Sides - No. 02
Matthias Conrad
Photography - 75 x 50 x 0.1 cm Photography - 29.5 x 19.7 x 0 inch
$1,989
Lotus Ornament Large Format
Shepard Fairey (Obey)
Print - 105 x 77 x 0.1 cm Print - 41.3 x 30.3 x 0 inch
$2,615
Umbrella Silhouette II (S)
Tyler Shields
Photography - 57.2 x 76.2 cm Photography - 22.5 x 30 inch
$5,000
Umbrella Silhouette II (XS)
Tyler Shields
Photography - 38.1 x 50.8 cm Photography - 15 x 20 inch
$2,500
Lipstick Cigarette II (XS)
Tyler Shields
Photography - 38.1 x 50.8 cm Photography - 15 x 20 inch
$2,500
Pays #184
Philippe Bréson
Photography - 27 x 27 x 0.2 cm Photography - 10.6 x 10.6 x 0.1 inch
$1,023
Bird cage
Sebastian Riemer
Photography - 105 x 130 x 3 cm Photography - 41.3 x 51.2 x 1.2 inch
$7,957
Black and white
Before the arrival of photography – with the exception of some etchings and lithographs – all the images we consumed were in colour. Quite simply, because no one would ever have thought to do anything else – why paint in black and white when colour was so readily available?
Yet despite this, today many photographers still choose to work in black and white – such as Pauline Théon, Kadir Von Lohuizen or Joh Lowenstein – even though their photos are taken in colour by the camera itself. Is the black and white trend a fleeting effect of fashion, or a symbolic return to the roots of the photography movement? Black and white photography has something that colour photos, despite recent innovations and the extraordinary quality of images today, cannot quite access. The use of black and white lends significant force to the composition: the contrasts, the shadows and the figures all stand out more strongly. People simply feel differently when faced with a colour photo versus a black and white image.
Colour is a distraction of sorts, a disturbance: colour is a nuisance.
And yet, some photographers still prefer colour to black and white, whilst others merge touches of colour with otherwise monochrome compositions. But in the end, all agree that both styles impose a totally different way of looking at a photo: from researching the shot to post production work, when artists develop or retouch the image. The use of colour is therefore something of a process in its own right, relating to two different ways of viewing the world and showing it others. The question, then, is what is being told, and why is it being in the way that it is?
The symbolic value of putting black and white together is a good starting point for reflecting on the fascination that they generate even today. There could not be a more fascinating, more striking ambivalence than when black, the 'colour' of darkness and burnt coal, considered a non-colour, is placed alongside white – representing light, and the result of all the colours merged together.
The problem faced by photographers today is that black and white still carry strong connotations of the past, of an era before the popularisation of colour and its massive cultural recovery amongst the press and photo journalists. In fact, it is rare now that contemporary subjects are photographed in colour, but we still associate black and white images with a retro feel.
So what does contemporary art have to say about it all? Discover Artsper's selection of black and white works: on the border of past and present, of the real and the imaginary… let us guide you!