Abstract artworks
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La nasse à homard dans tous ses états
Arthur Dupuy
Painting - 32 x 32 x 1 cm Painting - 12.6 x 12.6 x 0.4 inch
$362
L'Expressió
Jaume Queralt
Fine Art Drawings - 65 x 55 x 0.1 cm Fine Art Drawings - 25.6 x 21.7 x 0 inch
$2,150
Compression bidons metalliques
César Baldaccini
Sculpture - 61 x 31 x 41 cm Sculpture - 24 x 12.2 x 16.1 inch
$186,719
Au loin la falaise
Nadine de Lespinats
Painting - 60 x 60 x 3 cm Painting - 23.6 x 23.6 x 1.2 inch
$1,064
Non title
Joan Miró
Fine Art Drawings - 31 x 44 x 0.5 cm Fine Art Drawings - 12.2 x 17.3 x 0.2 inch
$61,108
Leaves
Aurelio Mistruzzi
Fine Art Drawings - 48 x 35 x 0.2 cm Fine Art Drawings - 18.9 x 13.8 x 0.1 inch
$339
Large monoscillable #4
George Koutsouris
Sculpture - 24 x 11 x 11 cm Sculpture - 9.4 x 4.3 x 4.3 inch
$136
Conexions lunars que venen de rapsodia en colors
Tatiana Blanqué
Painting - 50 x 100 x 4 cm Painting - 19.7 x 39.4 x 1.6 inch
$2,263
Collage - 10
Lisbeth Delisle
Fine Art Drawings - 29.7 x 21 cm Fine Art Drawings - 11.7 x 8.3 inch
$1,358
Cinq galaxies
Jean-Emmanuel Gagoyan
Painting - 56 x 42 x 2 cm Painting - 22 x 16.5 x 0.8 inch
$2,105
Lianas III
Felisa Esteban - Maifx
Painting - 81 x 38 x 3.5 cm Painting - 31.9 x 15 x 1.4 inch
$1,369
Rhizome #20
Nathalie Berger Balland
Painting - 50 x 40 x 0.5 cm Painting - 19.7 x 15.7 x 0.2 inch
$656
Untitled (Plate 13 Photostat from the Blueprint Drawings)
Keith Haring
Photography - 125.09 x 126.37 x 2 cm Photography - 49.2 x 49.8 x 0.8 inch
$45,500
The Spirit of the Baltic Sea 1
Marko Fenske
Painting - 48.3 x 63.5 x 0.3 cm Painting - 19 x 25 x 0.1 inch
$823
Desde el azul -Serie, Nos vemos en el Azul-
Esther Aragon
Painting - 60 x 81 x 2.5 cm Painting - 23.6 x 31.9 x 1 inch
$1,471
De Lignes Et De Cercles
Amaury Maillet
Sculpture - 60 x 70 x 75 cm Sculpture - 23.6 x 27.6 x 29.5 inch
$2,728
From the series “Forces of Nature”, full Moon
Nataliia Krykun
Sculpture - 150 x 150 x 4 cm Sculpture - 59.1 x 59.1 x 1.6 inch
$6,790
Alessandro Magno nº3
Davide Ricchetti
Painting - 42 x 28.5 x 0.5 cm Painting - 16.5 x 11.2 x 0.2 inch
$1,018
Sin título
Juan Manuel Arruabarrena
Painting - 40 x 60 x 1 cm Painting - 15.7 x 23.6 x 0.4 inch
$1,245
Texte écrit
Sylvia Elharar-Lemberg
Fine Art Drawings - 65 x 50 x 1 cm Fine Art Drawings - 25.6 x 19.7 x 0.4 inch
$1,358
Les comédiens dans la forêt
Charles Lapicque
Painting - 92 x 65 x 6 cm Painting - 36.2 x 25.6 x 2.4 inch
$54,318
It Walks Among Us
Hal Mayforth
Painting - 106.7 x 83.8 x 0.3 cm Painting - 42 x 33 x 0.1 inch
$5,000
Le réveil du printemps
Sana Hichri
Painting - 80 x 100 x 3 cm Painting - 31.5 x 39.4 x 1.2 inch
$5,658
Abstract artworks
Abstract art was born at the beginning of the 20th century, more specifically between 1911 and 1917 with the work of four influential painters: Frantisek Kupka, Vassily Kandinsky, Kasimir Malevich and Piet Mondrian . Although each of these artists formulated their own vision of abstract art, a shared historical context explains the concurrent emergence of this artistic movement.
The scientific discoveries of the early 20th century completely revolutionized man's perception of the world. These artists, who were literary and cultured men, were well aware of scientific progress. As Paul Valéry put it, "in the last twenty years neither matter nor space nor time has been what it was from time immemorial". People needed a new language to both express and to comprehend this "new world". These four artists demonstrated a keen interest in the esoteric and occult, which explains why the abstract is presented as a research of another type of truth, a way to elevate one's mind and soul towards new horizons, uncovering the deepest mysteries of humankind. The realm of music truly fascinated these artists; they identified with it and, several of them, especially Kandinsky, used it as inspiration. Music is the epitome of the imponderable and the intangible; it suggests meanings while escaping from reality at the same time.
The influence of artistic movements such as Fauvism and also served as references for the development of the abstract's aesthetic research. Abstraction did not attempt to represent the visible world, but rather to become a "visual language". However, it is essential to bear in mind that each of these four painters took a different path, and that they independently formulated their conception of abstract art.
Abstract art wanted to display an "abstract image," a non-figurative representation, outside of reality. They wanted to create art that was self-sufficient, that could look to itself to find the resources needed to support its existence. Abstract creation often required the artists to unleash their consciousness, to break free of instinctive visual associations. This approach produced powerful artworks which, although free of any literal meaning, retained the ability to provoke strong sensations and feelings in the viewer. The triumph of color, of subjectivity and the lack of conventions, foreshadowed the advent of an art that was liberated and free of any restrictive conventions. Abstract art manifestos laid the foundations of its aesthetic. Kandinsky's letters to the music composer Schönberg demonstrated the porous nature of the genres at a time where serial music was emerging. Both music and painting followed a path of growing “dissonance within the arts". These abstract artworks can demand collector to approach them in a particular. Although the interplay of shapes and colours in abstract art make it a visually accessible style, it is also important to reflect on the works more deeply. They invite the viewer to escape from reality, to consider things according to the prism of the absolute, of essence and absence. They might encourage viewers to adopt a new outlook on the world, where everything is astonishing and where our consciousness is constantly wonderstruck by the world around us.
“Art does not reproduce the visible; it makes visible." - Paul Klee