by Andreas Müller-Pohle
Photography : black & white edition, Water
80 x 60 cm 31.5 x 23.6 inch
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Unique work
Signature
Signed artwork
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
80 x 60 cm 31.5 x 23.6 inch Height x Width x Depth
Support
Framing
Brown wood frame with glass
Artwork dimensions including frame
82 x 62 cm 32.3 x 24.4 inch
Artwork sold in perfect condition
Artwork location: Germany
Discarded photographs are shredded into strips or confetti. A round vessel filled with developer and lined with photographic paper receives the tiny particles of photographs. As these particles swirl around the vessel, they cast shadows, giving rise to a photogram as Cyclogram. The reuse of the photographic material as the raw material for further images takes place within a recycling process. As in the previous works Dacapo, and Signa, the abstraction of the Cyclograms throws light on the genesis and destruction of photographic processes.
About the seller
PHOTO EDITION BERLIN • Germany
Artsper seller since 2015
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Presentation
His first artistic projects from the late 1970s focused on issues of photographic perception, and later on photo recycling, now also incorporating video. In the mid-1990s, he began exploring the use of digital, genetic and political codes. In his most recent works, he addresses the subject of water with extensive portraits of the Danube River and the megalopolis of Hong Kong. Müller-Pohle’s works have been widely published and exhibited and are included in numerous private and museum collections worldwide.
As a publisher, Müller-Pohle has edited the major works of the media philosopher Vilém Flusser, available today in the ten-volume Edition Flusser and including the seminal Philosophy of Photography, which has been translated into over 20 languages. In 2001, Müller-Pohle was awarded the European Photography Prize of the Reind M. De Vries Foundation.
He is the author of numerous texts on photo theory, among others on “Visualism”, and has been a visiting professor and lecturer at, among others, the Higher Institute of Fine Arts in Antwerp, Belgium, and Hong Kong Design Institute. His most recent project, Hong Kong Waters, was published by Kehrer Verlag and Asia One Books.
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