by Marie Boralevi
Fine Art Drawings : assemblage, graphite mine
140 x 100 x 0.1 cm 55.1 x 39.4 x 0 inch
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
140 x 100 x 0.1 cm 55.1 x 39.4 x 0 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
The series originated in Mary Shelley’s Frankenstein, where each character is composed of multiple body parts. The artistic process includes laser printing and acetone transfer on Japanese paper, creating a texture similar to the subjects' shiny skin. Influenced by American lowbrow art, the artist explores bad taste through these insolent young people, sporting the "No Future" as a punk standard. Their bold tattoos and offbeat looks evoke a pack that is both tender and wild.
About the seller
La Galerie d'art du Studio Idan • France
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Presentation
Marie Boralevi is a French artist. Born in 1986. She currently lives and works in Paris.
In 2009, she graduated from l'Ecole Supérieure des Arts et Industries Graphiques (School of Graphic & Industrial Arts), Estienne, with a Master Craftsman's degree for which she received an « excellent » rating. She also graduated with honors from l'Ecole Supérieure d'Arts Appliqués Duperré in 2011. Marie Boralevi's work has always included striking imaginary creatures. Her engravings and drawings bring to life the singular world that has been created by her thriving imagination. In 2013, she won the Pierre Cardin award for her engravings from the Académie des Beaux-Arts de l'Institut de France. Since then, her works have been shown in the big international fairs of contemporary art such as DDessin in Paris (2014 – 2016 and 2017); Docks Art Fair in Lyon (2017) ; Lyon Art Paper (2018) ; Art On Paper in Brussels (2014); Art Copenhagen (2014) or ST-ART in Strasbourg(2015).) Her engravings and drawings were shown at the Taylor Foundation in Paris; at the Pierre Boucher Museum in Canada (in 2013); as well as in the Liège's museum of Fine Arts (for the 10th international biennial event of contemporary prints) and at the Jean Cocteau Museum in Menton (in 2019).
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