![Sculpture, Sionnach Ban - Le renard blanc, Lara Blanchard](https://media.artsper.com/artwork/2237010_1_s.jpg)
Sionnach Ban - Le renard blanc
Lara Blanchard
Sculpture - 60 x 50 x 25 cm Sculpture - 23.6 x 19.7 x 9.8 inch
€1,300
Print : embroidery
65 x 50 x 0.1 cm 25.6 x 19.7 x 0 inch
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Unique work
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Stamped
Authenticity
Sold with certificate of Authenticity from the gallery
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Medium
Dimensions cm • inch
65 x 50 x 0.1 cm 25.6 x 19.7 x 0 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
Drypoint engraving on cotton dyed with black tea
Hand embroidery, watercolor, real 22 carat orange gold
Lara Blanchard lives and works in France. After studying art in Strasbourg, she moved from France to Ireland, then from the ocean to the French Alps.
In her house backed by the forest, she continues to maintain her relationship with nature and the forces that inspire her.
In 2011, she obtained her first engraving press. Her drawings, inspired by botany, zoology, entomology, anatomy and ultimately all the life sciences which, since childhood, have formed her graphic vocabulary, then become engravings.
About the seller
Atelier Véron - Galerie d'art • France
Artsper seller since 2018
Vetted Seller
Lara Blanchard lives and works in France. After studying art in Strasbourg, she settled first in Ireland, then in the French Alps. In her house, set against the forest, facing the mountains, she never ceases to maintain her relationship with the magic of nature and the living, to question what she calls "the universal magic".
Her prints on textile from the series of « Animal Souls » are largely inspired and nourished by her observations and encyclopaedias of botany, zoology, anatomy and entomology, which she approaches in a naturalist poetic way. The life sciences have always accompanied her from a very young age. She has found her graphic vocabulary there. In 2011, she obtained her first engraving press… Her drawings become then prints. She chooses the textile support which will allow her to apply the colour by hand, using a traditional technique of hand embroidery...
Through a work of embroidered engravings and a large project of sculptures / ornaments / masks started in 2017 that she calls AD LUCEM (still in progress), she explores humanity in all its primary, primitive even. And notes this ambiguous relationship we have with our animality.
The French Arts Factory represents the artist on a permanent basis and will present her AD LUCEM sculptures in November 2021 at the Montreux Art Gallery 2021.
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