![Painting, Les fenêtres musardent N°2, Anaïs LF](https://media.artsper.com/artwork/2229279_1_s.jpg)
Les fenêtres musardent N°2
Anaïs LF
Painting - 90 x 70 x 2 cm Painting - 35.4 x 27.6 x 0.8 inch
$1,366
Painting : acrylic
61 x 46 x 2 cm 24 x 18.1 x 0.8 inch
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Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Painting: acrylic
Dimensions cm • inch
61 x 46 x 2 cm 24 x 18.1 x 0.8 inch Height x Width x Depth
Support
Framing
Black floater frame
Artwork dimensions including frame
66 x 51 x 5 cm 26 x 20.1 x 2 inch
Tags
Artwork sold in perfect condition
Artwork location: France
Color pallet :
Composition and Style:
Technique:
Emotion and Interpretation:
Atmosphere :
In summary, this work by Anaïs LF is an abstract painting rich in texture and emotion, using a warm color palette and dynamic blending techniques to create a captivating and expressive composition.
On its history:
This painting comes from the first series of works created by the artist Anaïs LF. With the golden hours, with more golden tones, these works mark a turning point in Anaïs' artistic career. Indeed, in this first series, she first experiments with bright but rather floral, natural colors. With gold and copper, these paintings mark a certain parenthesis with a desire to play with reflections, light, echoes...
A first series which marks the departure towards the exploration of feelings
In this first series "Les Révélations", coming from the movement of abstract expressionism, Anaïs LF completely covers the canvases with paint, a technique commonly called "All over". It is a transcription of feelings, often extreme.
Painting therefore becomes with this first series, a new benchmark, a return to oneself. This first series of paintings marks the starting point towards a means of expressing (and not illustrating) the feelings and experiences that pass through her, in their contrasts and their depths. A means also of expressing this global, affective, hypersensitive, intuitive, dazzling thought that was often rejected from her, but which she ends up accepting thanks to her art.
Main current: Abstract expressionism for the freedom of expression of feelings, of heightened sensitivity, like intimate and personal writing.
Abstract expressionism is based on movement, encounters, color contrasts. In total break with figuration, Abstract Expressionism reveals an intensity that is as concrete as psychic and spiritual.
Creative processInstead of painting on an easel, Anaïs LF places her canvases on the floor: this is the dripping technique. On the ground, she felt more at ease, with a need for anchoring and reference Like most artists who have marked this movement, she does not use brushes or palettes.
She paints with her hands, a stick, a knife from time to time, but above all a very fluid painting. His pictorial technique in this series refers more to action painting (or sometimes gestural abstraction). The action, the powerful gesture, the intensity of the brushstroke and the squirts of paint evoke the impulse charge necessary for the creation of the works. The work of the motif is characteristic of his works, which are intended to be profound, as a means of exteriorizing.
Each of the works from this series is an experience of which neither the progress nor the result are predictable. It often starts from a first layer which covers the canvas. Then, this proposal capable of multiple potential developments leads to a dialogue, a meeting. The successive choices gradually give birth to the poetry of the painting. His choices depend and respond to a certain way of being in this world
A first series which marks the departure towards the exploration of feelingsIn this first series "Les Révélations", from the movement of abstract expressionism, Anaïs LF completely covers the canvases with paint, a technique commonly called "All over" It is a transcription of feelings, often extreme.
Painting therefore becomes with this first series, a new benchmark, a return to oneself. This first series of paintings marks the starting point towards a means of expressing (and not illustrating) the feelings and experiences that pass through her, in their contrasts and their depths. A means also of expressing this global, affective, hypersensitive, intuitive, dazzling thought that was often rejected from her, but which she ends up accepting thanks to her art.
Main current: Abstract expressionism for the freedom of expression of feelings, of heightened sensitivity, like intimate and personal writing.
Abstract expressionism is based on movement, encounters, color contrasts. In total break with figuration, Abstract Expressionism reveals an intensity that is as concrete as psychic and spiritual.
Creative processInstead of painting on an easel, Anaïs LF places her canvases on the floor: this is the dripping technique. On the ground, she felt more at ease, with a need for anchorage and reference points. Like most artists who have marked this movement, she does not use brushes or palettes.
She paints with her hands, a stick, a knife from time to time, but above all a very fluid painting. His pictorial technique in this series refers more to action painting (or sometimes gestural abstraction). The action, the powerful gesture, the intensity of the brushstroke and the squirts of paint evoke the impulse charge necessary for the creation of the works. The work of the motif is characteristic of his works, which are intended to be profound, as a means of exteriorizing.
Anaïs LF, Granville, October 2022
Each of the works from this series is an experience of which neither the progress nor the result are predictable. It often starts from a first layer which covers the canvas. Then, this proposal capable of multiple potential developments leads to a dialogue, a meeting. The successive choices gradually give birth to the poetry of the painting. His choices depend on and respond to a certain way of being in this world.
The importance of fluencyIt is common to say that fluid paints often require a certain level of mastery and technique to handle successfully. For Anaïs LF, it was fluidity that called her. She will experience the reaction of colors between them, the meeting of colors, textures, their pigments and their nuances... Water thus occupies an important place in her creative process within this series of works. The fluidity of water mixes with that of paint, sometimes ink, to offer unparalleled creative freedom, since it allows you to play with the effects of transparency, superposition and unique contrasts. Some also observe flowing and marbling effects, thus giving an organic and dynamic character to the works.
About the seller
Professional art gallery • France
Vetted Seller
Collector’s Guide
Anaïs LF, young emerging artist, painter of feelings and encounters, grew up in Normandy, near the water. After studying information and communication sciences, where she explored the forms of romantic and cultural encounters, she places these encounters at the heart of her art. In 2018, his desire to create becomes a compelling need to transpose his feelings and explore his creative consciousness.
She wants her works to have a meditative quality. She does not seek to represent reality, but lets herself be guided by her freedom.
She does not aim for aesthetic harmony between each work, preferring to let each piece exist independently. Each creation is a self-contained entity, reflecting a distinct moment in its creative and emotional process. This intentional diversity allows his works to capture a diverse range of feelings and experiences, providing the viewer with a rich and multifaceted exploration of his artistic world.
Anaïs LF wants her works to leave room for the viewer to exist. The contemplative spectator, faced with a work, studies it, extracts elements that are interesting to him, and acts. To go even further than the contemplative attitude, she would like the viewer to integrate into their environment, to participate in constructing and composing the work. His returns in the form of reinterpretations each time underline a little more the multiple opportunities for encounters between oneself and the spectators as well.
The creation of spaces of freedom and encounter between oneself and others remains at the center of his art.
Summary of main series (2019-2024)Each series reflects an artistic and personal evolution, exploring different techniques and inspirations to express deep and personal feelings.
This series is part of abstract expressionism, using the "All over" technique to completely cover the canvases, expressing intense feelings such as injustice and melancholy. The creative process includes techniques favoring the fluidity of painting, without brushes or knives, but with the hands (sometimes a few sticks), to create unpredictable and deeply emotional works.
Inspired by natural and warm colors, this series explores fluid and sensual movements, symbolizing artistic evolution and the connection with the sea. Using large brushes, the artist fluidifies the canvases with Gesso or acrylic paint, creating thick layers that mark their features.
Focused on the exploration of black, this series is inspired by Soulages and expresses the nuances of black through varied textures, representing mourning and resilience. The works capture light differently depending on the texture, creating powerful contrasts.
Inspired by Mediterranean blues, more design notions, and certainly the Colorfield trend, this series uses flat areas of bright colors, notably Majorelle blue and Klein blue, in contrast with black and white. Using varied techniques, the artist creates thick layers of paint, exploring contrasts and bringing life and hope through the color blue.
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