Nu, Fauve sur une chaise, 2024

by Patricia Kleyman

Painting : acrylic

73 x 60 x 2 cm 28.7 x 23.6 x 0.8 inch

$324

One of the last works available by this artist

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9.6/10

About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery


Medium

Painting: acrylic

Dimensions cm inch

73 x 60 x 2 cm 28.7 x 23.6 x 0.8 inch Height x Width x Depth

Framing

Not framed


Tags

Nude

Portrait

Human body

Femininity

Women

Yellow

Artwork sold in perfect condition

Artwork location: France

It is an acrylic on canvas measuring 73 x 60 cm, mounted on a frame, with the artist's signature at the bottom right and on the back + artist's certificate of authenticity - The artist's favorite themes artist are art deco expressionism, nude, fauvism, cubism

Patricia KLEYMANN is a French painter born in 1965, and living in the south of France - She has participated in numerous exhibitions in France and internationally, and her works are now collected around the world - She took part in the literary project entitled "Women and Artists" and "Artists of the 20th and 21st century", published by REGARDS Editions

Shipping from France by Colissimo or Fedex

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About the seller

ROBERT DELLE VERGINI • France

Vetted Seller


Imagine it at home

Patricia Kleyman, Nu, Fauve sur une chaise

Patricia Kleyman

France  • 1965

Presentation

Patricia Kleyman is a French painter, born in 1965. Self-taught since 1999, during her career she has participated in numerous exhibitions in France and internationally.

His artistic recognition has crystallized through Akoun, Drouot and Artprice rating, and her paintings are collected across the world.

The artist has also taken part in a literary project entitled "Women and Artists".

Like dreamlike tales, nimbed in symbolism and offered to expressionism, the works of Patricia Kleyman transcend the instant to settle in temporality.

In a bedazzlement of shapes, her paintings - poetic odes to Woman - are adorned with primary colors with strong tones that evolve in a mastered cacophony, transporting the viewer into an unexpected and chimerical universe, where, sometimes harmoniously lascivious, sometimes thoughtful or contemplative, the female figures seem to indulge in a duality between a manifest modesty and a deliciously assumed femininity, freeing themselves from the shackles of the canvas, to splash the viewer with an obvious vital force and a communicative energy tinged with a some nostalgia for the past.


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