![Print, Portrait en trois couleurs, André Masson](https://media.artsper.com/artwork/2237017_1_s.jpg)
by André Masson
Print : eau-forte
51 x 33 cm 20.1 x 13 inch
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Numbered and limited to 2 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Print: eau-forte
Dimensions cm • inch
51 x 33 cm 20.1 x 13 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
Technique and support: Etching on thick paper
Dimensions: 51 x 33 cm (image 19 x 18 cm)
Provenance: Genevieve and Jean Paul Kahn collection
Particularities of the work: Original print signed by hand by the artist in pencil at the bottom right, numbered 2/2, annotated "artist's proof" and dedicated "A Louis Broder bien amiablement". This work is an additional wide-margined edition of illustration 7 of the tribute book to Eluard "a poem in each book" published in 1956 in 120 copies. In the book, illustration 7 is positioned next to Paul Eluard's poem "A la Flamme des Fouilles" taken from "Capitale de la paix (1926). The work offered here comes from the album called "Album A", Offprint from the book of 20. Each album contains, like the book, 16 prints (including this work by André Masson) but they have been printed with large margins and unlike the prints in the book, all signed or monogrammed by the artists. album that we have was the property of the publisher Louis BRODER. It stands out from the others because it is enriched in addition to the 16 large-margined illustrations with many other prints collected by the publisher throughout his collaboration with the artists on this book.
Explanatory photo 1: Comparison between Album A offprint of "a poem in each book" printed in 20 copies and the book "a poem in each book" printed in 120 copies.
Explanatory photo 2: Album A offprint of 20 copies having belonged to the publisher Louis Broder contained in a gray canvas box with a label stuck on the back and the first cover.
Explanatory photo 3: Proof of printing of Album A which indicates the maximum number of copies of prints contained in total in the 20 albums as well as the names of the artists. It is annotated in red pencil "Editor's copy B" because it belonged to Louis Broder.
Explanatory photo 4: Original print signed and printed with wide margins by Pablo Picasso, contained in album A
Explanatory photo 5: Original print signed and printed with large margins by Max Ernst, contained in album A
Explanatory photo 6: Book "a poem in each book" printed in 120 copies, containing the 16 prints unsigned by the artists (signatures on the proof of printing of the book)
Explanatory photo 7: Print by Pablo Picasso on double page, unsigned contained in the book "a poem in each book"
Explanatory photo 8: Print by Max Ernst unsigned contained in the book "a poem in each book"
About the seller
WD ART GALLERY Modern • France
Artsper seller since 2022
Vetted Seller
Imagine it at home
![André Masson, Sans titre (Un poème dans chaque livre Paul Eluard) Ref BDNW2974 André Masson, Sans titre (Un poème dans chaque livre Paul Eluard) Ref BDNW2974](https://media.artsper.com/artwork/1905591_1_l.jpg)
Discover more by the artist
Works in prints from André Masson
Presentation
André Masson was a renowned French painter, engraver, and illustrator. His work, marked by a great diversity of styles and influences, falls within the surrealist movement and often transcends the boundaries between the figurative and the abstract.
Masson experienced a youth marked by World War I, where he was severely wounded. This event had a profound influence on his later artistic work, leading him to explore themes such as violence, sexuality, and the human condition.
In the 1920s, the artist became one of the most important members of the surrealist movement, alongside André Breton and Salvador Dalí, among others. His style is characterized by organic forms, fluid lines, and bold use of color.
In the following years, Masson emigrated to the United States to escape the rise of Nazism in Europe. There, his style evolved towards more abstract compositions, often inspired by natural landscapes and mythological elements.
After World War II, Masson returned to France and continued to produce prolific work until the end of his life. His paintings and engravings continued to explore universal themes such as love, death, and transcendence, while integrating new techniques and artistic influences.
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