La facade en or et bronze
Madeleine Colaço
Painting - 125 x 170 x 1 cm Painting - 49.2 x 66.9 x 0.4 inch
$9,766
Flore tropicale,
Circa 1990
by Madeleine Colaço
Painting : embroidery
123 x 158 x 1 cm 48.4 x 62.2 x 0.4 inch
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Painting: embroidery
Dimensions cm • inch
123 x 158 x 1 cm 48.4 x 62.2 x 0.4 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Brazil
This extraordinary artwork brilliantly showcases a vibrant embroidered tapestry of Madeleine Colaço infused with an abundance of natural elements, meticulously intertwined to form a harmonious representation of the natural world. The tapestry, characterized by a rich palette of earthy tones and subtle hues, seamlessly integrates a plethora of floral and botanical motifs, each meticulously crafted to exhibit intricate patterns and textures. The dominating presence of lush foliage and an array of blooming flowers in this piece is impressive inspired by her residence in a farm located nearby Rio de Janeiro, in the region of lakes of Marica. The composition features a captivating melange of leaves, ranging from the broad, rounded forms to slender, elongated ones, adding depth and variety to the visual experience. The artist's dexterity is evident in the detailed rendering of each leaf and petal, which are distinguished by their distinct shapes and intricate vein patterns. The lower segment of the artwork reveals a dynamic interplay of various flowering plants, creating a dense, almost tropical jungle vibe. The flora, depicted in shades of green, red, pink, and orange, enhances the complexity and vibrancy of the scene. The detailed botanical illustrations are complemented by the inclusion of fruit-bearing branches, adding an element of abundance and fertility to the overall composition. Strategically placed within this tapestry is a depiction of fauna — subtle yet impactful. The presence of birds, barely emerging from the foliage, adds a narrative layer and invites viewers to discover more upon closer inspection. This integration of avian elements not only enhances the thematic richness but also accentuates the biodiversity represented in the piece. The upper portion of the tapestry is marked by a blend of twisting stems, delicate buds, and clusters of leaves, all crafted with remarkable precision. The tapestry is not merely a visual delight but also an intricate narrative woven through the meticulous portrayal of flora and fauna, each element affirming the interconnectedness and beauty of the natural world.
About the seller
Galeria Jacques Ardies • Brazil
Artsper seller since 2019
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Discover more by the artist
Les mangues vertes
Madeleine Colaço
Painting - 104 x 132 x 1 cm Painting - 40.9 x 52 x 0.4 inch
$10,914
Presentation
Madeleine Colaço was French, born in Moroccos. To French-American
parents, and became Brazilian through naturalization. She was married to
Portuguese writer Ribeiro Colaço and moved with him to Brazil in 1940.
She studied tapestry in Morocco and in France, and discovered the
embroidery stitch which is known as the "Brazilian Stitch" and is
registered at the Centre International de la Tapisserie in Lausanne,
Switzerland.
She exhibited her tapestries for the first time in Rio de Janeiro in
1963, and from then on, carried out more than 46 solo exhibitions
worldwide: at the Chateau de Lucens in Lausanne, at Galerie Prinzhorn in
Vienna, at the Palais de Congrès in Brussels, at the Maison de
l'Amérique Latine in Monaco, at the Kansas State Museum in the USA, and
at the Musée d'Art Naïf Anatole Jakovsky in Nice, France. On nine
occasions between 1986 and 2007, Galeria Jacques Ardies in São Paulo
held viewings of her new tapestries.
In her words, she declared that: "For me, tapestry is the joy of living.
It's an art that teaches us other arts: (the art of) patience, for
example, or (the art of) research. It was through research that I had
the good fortune of creating the "Brazilian stitch" and being able to
offer it back to Brazil, which has given me so much."
Roberto Pontual wrote: "Her trajectory has always been sunny, luminously
pre-disposed to the warmth of what is festive. Her tapestries, dreamed
visions of the tropics, are unpretentious and exuberant at the same
time".
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