Semi-abstract Landscape Artists
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Comme un printemps
Agnès Tiollier
Painting - 120 x 120 x 3 cm Painting - 47.2 x 47.2 x 1.2 inch
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Vue sur la Grande Bleue, depuis les toits de Cap d’Antibes.
Jiel
Painting - 100 x 81 x 2 cm Painting - 39.4 x 31.9 x 0.8 inch
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L'ile de la madeleine Québec
Louis Magre
Painting - 73 x 92 x 3 cm Painting - 28.7 x 36.2 x 1.2 inch
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Le dernier jour d'hiver
Antoine Josse
Painting - 100 x 100 x 3 cm Painting - 39.4 x 39.4 x 1.2 inch
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Les coquelicots s'envolent
Louis Magre
Painting - 80 x 80 x 3 cm Painting - 31.5 x 31.5 x 1.2 inch
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Les attractions terrestres
Antoine Josse
Painting - 120 x 120 x 3 cm Painting - 47.2 x 47.2 x 1.2 inch
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Rendez-vous sous l'arbre rouge
Antoine Josse
Painting - 100 x 100 x 3 cm Painting - 39.4 x 39.4 x 1.2 inch
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La Rue Norvins Paris Montmartre
Louis Magre
Painting - 60 x 60 x 3 cm Painting - 23.6 x 23.6 x 1.2 inch
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Ensoleillement des cœurs
Louis Magre
Painting - 90 x 90 x 3 cm Painting - 35.4 x 35.4 x 1.2 inch
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Twelve Apostles
Serhii Cherniakovskyi
Painting - 80 x 95 x 2 cm Painting - 31.5 x 37.4 x 0.8 inch
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Couleurs et reflets d'une fin de journée, en bord de Méditerranée.
Jiel
Painting - 61 x 50 x 2 cm Painting - 24 x 19.7 x 0.8 inch
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Au loin la falaise
Nadine de Lespinats
Painting - 60 x 60 x 3 cm Painting - 23.6 x 23.6 x 1.2 inch
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Lighthouse Keeper
Mark Jeffrey Weiss
Painting - 30.5 x 40.6 x 2 cm Painting - 12 x 16 x 0.8 inch
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Silent Trees of Maine
Mark Jeffrey Weiss
Painting - 31 x 41 x 2 cm Painting - 12.2 x 16.1 x 0.8 inch
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L'étoile secrète
Jean-Paul Agosti
Painting - 76 x 152 x 0.2 cm Painting - 29.9 x 59.8 x 0.1 inch
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Jardin rouge, caducée du voile
Jean-Paul Agosti
Painting - 103 x 153 x 0.2 cm Painting - 40.6 x 60.2 x 0.1 inch
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Aurora & Vespera (diptyque)
Jean-Paul Agosti
Painting - 240 x 120 x 2 cm Painting - 94.5 x 47.2 x 0.8 inch
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Les règnes du feu
Jean-Paul Agosti
Painting - 103 x 153 x 0.4 cm Painting - 40.6 x 60.2 x 0.2 inch
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I Giardini d'oro
Jean-Paul Agosti
Painting - 63 x 63 x 0.4 cm Painting - 24.8 x 24.8 x 0.2 inch
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Semi-abstract Landscape Artists
Camille Pissarro’s landscape entitled Orchards in Bloom, Louveciennes (1872) was one of the first Impressionist paintings to be displayed. The use of buildings and trees to frame paintings and the ability to capture light or fleeting cloud shadows on a hillside changed the art world forever. Can we see what the artist saw? By forgoing absolute realism, but still creating landscapes that were recognizable, the Impressionists opened the floodgates for color and shape to become the focus. By the 20th century, abstract art strived to not depict any ‘likeness’ to reality at all. But what if there is a middle ground, a shift away from realism in order to capture life and light in the moment but not abstract enough that color and shape denies the viewer anything recognizable – like semi-abstract landscape art? Like abstract figurative art, this movement can fall on the spectrum between realism and complete abstraction and in our selection of works, artists like Liliane Paumier paint “life itself”, depicting harmony in their use of color when rendering rural motifs. Suiting vast compositions, semi-abstract landscape art can broaden the frame of the artist and allow them to take a snapshot of what the eye can’t see…yet still recognizes – you only have to tumble into the abyss of artists like Christelle Desangles to find out…