Engraving Print for Sale
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Bouquet d'iris, lithographie originale
Claude Gaveau
Print - 76 x 56 x 0.05 cm Print - 29.9 x 22 x 0 inch
$436
Gravure "Le saxophoniste bleu"
Christophe Hohler
Print - 76 x 56 x 0.05 cm Print - 29.9 x 22 x 0 inch
$783
Si je mourais là-bas (If I Died There) (Vallier 181)
Georges Braque
Print - 45.7 x 71.8 x 0.1 cm Print - 18 x 28.3 x 0 inch
$4,114
Fleurs 15 IV - aquatinte originale
Jacques Bosser
Print - 50 x 50 x 0.03 cm Print - 19.7 x 19.7 x 0 inch
$503
Dans le chaos du diable
Jean-Yves Boislève
Print - 50 x 38 x 0.01 cm Print - 19.7 x 15 x 0 inch
$391
Sine Nob'litate "Skull and bird"
Adolfo Arenas Alonso
Print - 76 x 110 cm Print - 29.9 x 43.3 inch
$1,342
1952 Animaux surréalistes Fantastic Surrealistic World
Wolfgang Seuther
Print - 21 x 30 cm Print - 8.3 x 11.8 inch
$1,062
Lettrisme 1969 Lettrism
Jacques Scapagna
Print - 27.5 x 10.5 x 0.3 cm Print - 10.8 x 4.1 x 0.1 inch
$442 $310
Le drapeau révolutionnaire 1989 Revolution flag
Alexis Gorodine
Print - 28 x 25.5 cm Print - 11 x 10 inch
$839 $419
Mélancolie Melancoly Souvenirs de Slovenia Memories
Joze Ciuha
Print - 70 x 100 x 0.5 cm Print - 27.6 x 39.4 x 0.2 inch
$1,537 $769
Archimède 1964 Archimedes
Raymond Veysset
Print - 56 x 76 x 0.3 cm Print - 22 x 29.9 x 0.1 inch
$1,112 $557
Heinrich HEINE Il Romanzero 1974
Joseph Salamon
Print - 32 x 44.5 x 0.3 cm Print - 12.6 x 17.5 x 0.1 inch
$660 $594
Combat 1987 Fight
Catherine Reboul Berlioz
Print - 24.5 x 33 x 0.5 cm Print - 9.6 x 13 x 0.2 inch
$777 $389
Ma tête II 1986 My head II
Kong Ok Sim
Print - 42 x 56 x 0.3 cm Print - 16.5 x 22 x 0.1 inch
$777 $389
LI JAGYONG 1992 MMCA Museum Modern Contemporary Art Seoul South Korea Composition
Li Ja-gyong
Print - 15.5 x 22.5 x 0.5 cm Print - 6.1 x 8.9 x 0.2 inch
$1,062 $531
KIM Youngjoo "Myth" MMCA MUSEUM COLLECTION Coeur 1991 Heart
Young-Joo KIM
Print - 25.5 x 35 cm Print - 10 x 13.8 inch
$1,671 $836
"L'art lave notre âme de la poussière du quotidien" Pablo Picasso - série paysage imaginaire
Marc Sinic
Print - 50 x 70 x 1.5 cm Print - 19.7 x 27.6 x 0.6 inch
$447
Désolation 1972 Desolation
Tetsuo Araki
Print - 64.5 x 49.5 x 0.3 cm Print - 25.4 x 19.5 x 0.1 inch
$660
Colombe blanche White Dove
Zanoarisoa Rajaona
Print - 29.5 x 19.5 x 0.5 cm Print - 11.6 x 7.7 x 0.2 inch
$548 $383
1999 Paris Rue de Lanneau Quartier Latin
Kojiro Akagi
Print - 65 x 48 cm Print - 25.6 x 18.9 inch
$1,062
Chant de Jeunesse, lithographie originale
Soichi Hasegawa
Print - 62 x 67 x 1 cm Print - 24.4 x 26.4 x 0.4 inch
$783
Architecture 1985 Allons Bon, Well
Roland CABOT
Print - 50 x 65 x 0.5 cm Print - 19.7 x 25.6 x 0.2 inch
$1,107 $553
Individuos People Ethnical
Juliana Zevallos Tazza
Print - 10 x 14 cm Print - 3.9 x 5.5 inch
$771 $386
Konstruktion - Dämon - Gewächs (triptyque)
Thomas Ott
Print - 45 x 100.5 cm Print - 17.7 x 39.6 inch
$671
1987 Le Tigre et le Sage The Tiger and the Monk
Song Jiha
Print - 102 x 82 cm Print - 40.2 x 32.3 inch
$2,180 $1,090
Sans Titre (Mains positives, Mains négatives)
David Prudhomme
Print - 78 x 114 cm Print - 30.7 x 44.9 inch
$1,118
TAIWAN MUSEUM 1980 Tradition
Liu Yang Jer
Print - 45 x 62.5 x 0.5 cm Print - 17.7 x 24.6 x 0.2 inch
$900 $451
1988 Suprématiste Constructiviste Bleu, Blanc et Rouge
Garry Faïf
Print - 61 x 43 x 0.3 cm Print - 24 x 16.9 x 0.1 inch
$839 $419
1987 PLAY VII Ropes Branches Cordes Mezzotint
Katsunori Hamanishi
Print - 24 x 20 cm Print - 9.4 x 7.9 inch
$2,180 $1,090
2003 Ame Amérindienne Amerindian Soul
Joe Feddersen
Print - 26 x 18 x 0.3 cm Print - 10.2 x 7.1 x 0.1 inch
$553
1993 Red Still life with Malevich Rouge
John Dowdridge
Print - 33 x 26 x 0.3 cm Print - 13 x 10.2 x 0.1 inch
$553
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Engraving Print for Sale
In 1603, the supreme leader of Japan, Tokugawa Leyasu, named the city of Edo (modern-day Tokyo) as the capital of the archipelago. This decision led to a blossoming of the arts for more than two and a half centuries, known as the Edo period. During this period, with the exception of a few trade deals, Japan completely closed its borders. It developed a strong and striking culture, particularly when it came to printmaking. Already popular in China, printmaking was popularised in Japan by Hishikawa Moronobu and Suzuki Harunob. Strong competition and a price war emerged between printmakers in Edo. At the time, prints had a commercial purpose and were not considered as works of art. The names of their creators were not known as several people were involved in their production. Prints were a part of everyday life. They could be found on calendars, as decorations or on advertisements. Later, there were also prints made of 19th century actors, which are among the rarest and most expensive prints today, especially those by Toshusai Sharaku. The most famous prints are those of landscapes, a genre represented by masters such as Hokusai and Hiroshige and which inspired many European painters in the 19th and early 20th century. Japanese society had a deeply-held belief that everyone is inhabited by souls and spirits; consequently, prints depicting legends are also very prized. During this period, when life was tough for the Japanese people and when men enjoyed great sexual freedom, many erotic prints were created, including the famous "Abuna-e" and the licentious "Shunga". Over the centuries, the value of prints increased and engravers gained more recognition. They spread throughout the world when Japan's borders were re-opened, which led to a fascination with printmaking amongst many artists. The process of making a print is simple but hard to master: glue is applied to a block, the drawing is glued to it, facing the wood, then the engraver scores the lines, hollows out the surrounding wood and then engraves the drawing. The engraver engraves as many blocks as there are colours in the image. Finally, he applies colour to the engraved block, spreading it out and prints the image onto a surface. In the 19th century, printmaking gained popularity in the Western world, following two universal exhibitions in Paris and London in 1870. Artists began collecting them and then imitating the technique and style of ukyo-e (images of the floating world). This is called Japonism. The artists who drew inspiration from Japan include Claude Monet, Edouard Manet and Vincent Van Gogh who were all fascinated by the artworks of the prolific Edo period which provided them with new rules, new subjects and a new colour palette. Van Gogh even wrote: “All my work is based to some extent on Japanese art... Japanese art, in decline in its own country, is taking new roots among French Impressionist artists." Impressionism, like printmaking, focused on the outdoors and aimed to depict a personified version of nature. It was also inspired by Japanese engravers and their way of breaking the rules of perspective to focus instead on movement, light and colour.