![Painting, Théorie sur l'évolution : Poisson en baskets 1, Guillaume Nicolaou](https://media.artsper.com/artwork/1901457_1_s.jpg)
Théorie sur l'évolution : Poisson en baskets 1
Guillaume Nicolaou
Painting - 67 x 71 x 4 cm Painting - 26.4 x 28 x 1.6 inch
$1,628
Painting : acrylic, mixed media
160 x 110 x 4 cm 63 x 43.3 x 1.6 inch
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Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Painting: acrylic, mixed media
Dimensions cm • inch
160 x 110 x 4 cm 63 x 43.3 x 1.6 inch Height x Width x Depth
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
A Greek name for a life in France, with Catalan, Spanish and Italian humors in the family tree.
An encounter in adolescence with abstract painting which displays a beautiful arrogance in the galleries visited haphazardly,
the reading of Gérard de Nerval, the feverish listening of Pascal Comelade, the dazzled vision of “Barry Lyndon" “by Stanley Kubrick".
Finally, an almost unreasonable love for Dubuffet's monumental provocations. Influenced by both the latter and Chaissac, Haring, Basquiat and Street Art, he decided to identify his work as “Brut Street Art".
These little encounters which could only be small cultural pleasures, of those which bring rewards in an altogether ordinary life.
But that clicks with him. Guillaume Nicolaou, despite the handicap of a happy childhood, will therefore be an artist.
Like the others, that is to say different. Self-taught, he flees the shackles of drawing, with naive obstinacy, to give free rein to a recreation of the world in black and white where adulthood struggles to find its place.
As if black and white, even in contradiction with its symbolism, refused to mourn childhood. The acrylic on the canvas, thrown like a last burst of laughter from this childhood that he knows, despite everything, is forever lost.
About the seller
Wild & Free Agency • France
Artsper seller since 2022
Vetted Seller
A Greek name for a life in France, with Catalan, Spanish and Italian moods in the genealogical tree.
An encounter in adolescence with abstract painting which shows a beautiful arrogance in the galleries visited haphazardly, the reading of Gérard de Nerval, the feverish listening of Pascal Comelade, the dazzled vision of "Barry Lyndon" " by Stanley Kubrick.
Finally, an almost unreasonable love for the monumental provocations of Dubuffet.
Influenced by both the latter and Chaissac, Haring, Basquiat and Street Art, he decided to identify his work as "Street Art Brut".
These small encounters which could only be small cultural pleasures, of those which are rewards in an after all ordinary life.
But which make him click. Guillaume Nicolaou, despite the handicap of a happy childhood, will therefore be an artist.
Like the others, that is to say different. Self-taught, he flees the straitjacket of drawing, with a naive stubbornness, to give free rein to a recreation of the world in black and white where adulthood has trouble finding its place.
As if black and white, in contradiction even with its symbolism, refused to mourn childhood. Acrylic on canvas, thrown like a last burst of laughter from this childhood that he knows, despite everything, is forever lost.
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