![Painting, Aluminoïde Sun Trap, Frédéric Halbreich](https://media.artsper.com/artwork/2088972_1_s.jpg)
Aluminoïde Sun Trap
Frédéric Halbreich
Painting - 129 x 106 x 3 cm Painting - 50.8 x 41.7 x 1.2 inch
$6,920
Painting : lacquer
144 x 104 x 2 cm 56.7 x 40.9 x 0.8 inch
One of the last works available by this artist
Free returns within 14 days
Authenticity guaranteed
Learn moreSecure payment
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Painting: lacquer
Dimensions cm • inch
144 x 104 x 2 cm 56.7 x 40.9 x 0.8 inch Height x Width x Depth
Support
Framing
Black floater frame
Artwork dimensions including frame
147 x 107 x 5 cm 57.9 x 42.1 x 2 inch
Artwork sold in perfect condition
Artwork location: Belgium
Grand Mystery of Nature. "The Art of Lacquer in Pure Art". Frederic Halbreich tells us about the great mystery of nature with power and elegance. From the dialogue with the stars emerges an infinite and mystical intimacy. These new compositions reveal more of the aptly named “Aluminoid” in major or minor, according to two keys: Black – Or de Brou (for walnut husk). Different models of spatulas, smooth or serrated, are used to compose the movements of the opus. Ranges with jet black or ebony, shiny matt or satin sobriety rub shoulders with shades of gold. They combine with walnut husks, this natural pigment with warm accents. Paraphrasing Serge Poliakoff, whom he admires, the artist confirms that color, or even its tonality, hardly counts, only the quality of the color and the secret light coming from the transparencies of black matter. Frederic Halbreich has undertaken in the past years to explore all the richness of light enclosed in the heart of the Black. We know the works of Frederic Halbreich in lacquer, a medium of which he is indeed the only artist to have developed his own technique and to sparkle the preciousness in the pure art of his abstraction. To the artist, the painting is not only on a simple surface; it is an object on which the artist creates with complex texture and form. In his lacquers, he brings it out from inside the painting, through the vector of transparency. He calls "sacrophage" the support on which he creates his lacquers. Like lacquer work, these pictorial layers (pigments) – ten or more in number – each require an appropriate time to dry. Then follow new meticulous sandings intended to eliminate scratches or accidents. Besides these, there are his canvases: oils and acrylics where he derives his expression more from gesture. Here, the artist is in search of a balance between the material and the immaterial, between the visible and the invisible, between the tangible and the intangible.
About the seller
Art Yi Gallery • Belgium
Artsper seller since 2023
Vetted Seller
Frédéric Halbreich (born Paris August 28th 1962) one of the most powerful and original personalities amongst the painters of our time. In the course of years – he started painting nearly thirty years ago – he gradually developed an individual style that has now searched full maturity. To that end, he had to create himself an entirely self-taught technique, which puts him apart from any of his contemporariers, in order to master the use of the main material which he has used for the last decade: lacquer. Of course, lacquer is a very old traditional material in the craftsmanship of the Far-Eastern countries, Frédéric Halbreich was the first and remains to this day the only painter using lacquer for canvasses of all sizes, and ever a perfunctory glimpse at one of them will show that hise use of lacquer is totally different from its Far-Eastern use nor should his importance he limited to lacquer alone, for during two decades he used more traditional material, a fruitful phase he in no way disowns, the more so that there has been no break in his style and inspiration only the material medium has changed. Halbreich turned to abstraction very early in his career, but form and structures are primordial to him, and nothing could be further removed from chaos or improvisation than his work. Thus his passionate, even violent nature is channelled and sublimated into strictest discipline, with no loss of energy in this process. The aim is hard – won serenity, a struggle for the mastery of pure beauty, his supreme ideal: a flight towards beauty (a flight, not an escape!), as advocated in Plotinus’ Enneals two millenaries ago as a means of unity with the Divine. No time, no space for anecdotal or the picturesque in such a thought process. Halbreich's art aims at greatness through monumental simplicity in order to attain the core of emotion. At the beginning of his career, he went through a strong influence of Poliakoff, to a lesser degree de Staël, and then came the revelation of the Great Americans of the sixties and seventies: Rothko, Clyfford Still, and in particular Franz Kline, one of the closest to his own sensitivity. Hence the path led to him nearest French equivalent, Soulages, a supreme model even today, even though his present manner is totally individual and freed from influences. Before going over to lacquer, he had explored all the facets of Matter, grain, coarseness, rough untreated jute being his favourite material for some years, using both brush and palette knife. But then came the revelation of the lacquer, and the wheel turned half circle. Transparency, luminosity from within the canvas obtained by the subtle superimposition of numerous layers in order to make light vibrate and reflect at once, became his goals. The result is unique. His choice of colours, always sober and restrained, gradually favoured black and white, with occasional contrast of a rich dark red or the warmth of violin varnish like brown. His latest phase (by no means his last, to be sure!) transfixes the dominant black trough flashes of white or the more mysterious opening of softly luminous window towards the beyond. As to his formal structures, frequently relying on purely intuitive proportions like the golden section, they give an overwhelming feeling of monumentality, sometimes enlivened through the dazzling motion of cosmic wind. “All that is dispensable is superfluous “ is one of his favourite mottoes. Abstract painting is the form of visual art closest to music, and music plays a basic part in his inspiration. If composers like Giacinto Scelsi or Morton Feldman show obvious meeting points with his art, his favourite listening, accompanying his creative work, ranges from Cipriano de Rore trough Monteverdi, Schütz, Purcell, Charpentier, Buxtehude and Zelenka (a peculiar love) to Bach and beyond him to Haydn and Mozart: music to be seen, as his paintings are also to be heard!
Protect your purchase
We’re here to help you collect art securely. When you browse and buy on Artsper, you benefit from our guaranteed protections.
Buy works from the best galleries
We partner with the best art galleries. All sellers on Artsper have been carefully reviewed and approved by our team. All of our partner galleries respect our code of ethics.
Know what you’re getting
Each work on Artsper is studied and validated by our team before appearing online. Get personalized support Contemporary art specialists are available by phone and email to answer all of your questions about our works of art. Get personalized advice and curated suggestions for your collection.
Resell your artworks
As a private individual, you have the possibility to resell on Artsper your works acquired on Artsper. For more information click here.
Make an offer with Artsper
Negotiate prices
Price negotiation is possible. Like in a gallery, this allows you to open a discussion and purchase your works at your preferred price.
Get our help negotiating
Let our team handle the negotiations and get back to you once the best deal is made.
Order safely
Artsper’s satisfaction guarantee
With Artsper, you have the opportunity to return a work free of charge within 14 days of receipt if it does not suit you, for whatever reason. You will then receive a full refund for your order.
Protect your purchase with Artsper’s payment partners
All credit card payments are processed by Paybox, the trusted leader in payment processing for international businesses. Paybox ensures the highest level of security.
Get specialized support from Artsper in the event of a problem
On the rare occasion that a work of art arrives in a different condition than described, we will work to administer a return, refund, restoration or exchange for you. Our team will always keep you informed on the progress of your request and will go above and beyond to offer you personalized solutions.
To benefit from Artsper’s protections you must:
Place your order using one of Artsper's payment methods.
Report any issues to Artsper within one week of receiving your work.
Provide all requested photographic evidence of the problem (including the original artwork and packaging).
Artsper’s guarantee covers the following problems:
You receive a work that’s missing a described characteristic (such as a signature or a frame)
You receive a work with different characteristics than those described at the time of purchase
You receive a damaged piece of work
Your purchase is declared lost or damaged during transit
You receive a work that is a different in color than what you ordered
Your purchase is delayed
Artsper gives you access to the largest catalog of contemporary artworks, from the best galleries (200,000 works, 25,000 artists, 2,000 partner galleries).
We select the galleries with which we collaborate. This demanding selection, operated by our team of experts, offers you several guarantees:
We also facilitate the search for works according to your preferences thanks to our intelligent features such as:
Or simply thanks to our filters on the catalog allowing you to refine your searches.
Our customer service is also at your service and responds within the shortest time!
For some artworks, you can negotiate the price. If the price of the work is negotiable, you have a “Make an offer” button under the “Buy this work” one.
To submit your offer, you must make a payment of the desired amount. Your offer will then be forwarded to the gallery, which reserves the right to accept or reject it. If your offer is accepted, it means that your order is confirmed by the gallery and they will prepare the artwork for shipment. If your offer is rejected, you will be refunded the total amount paid automatically. The gallery can also propose a counter-offer for the acquisition of the artwork.
If you have any questions, please feel free to contact us: [email protected].
Artsper delivers worldwide!
However, please note that once your order reaches its destination, it may be subject to VAT or other customs fees. These charges are beyond our control and you will be responsible for paying them (this is indicated at the ‘checkout’ first step).
Select the delivery address of your choice. Please make sure that someone is present to receive your order.
If your billing address is different to your delivery address you can specify this at the checkout.
You can return the artwork without needing to provide a reason or pay a penalty fee up to 14 days after receiving your order.
In the case that the right of withdrawal is exercised in the aforementioned time frame, the price of the artwork(s) purchased and the shipping costs will be reimbursed by us as soon as the gallery has received the artwork and notified us.
Artsper will manage the return of the work and will bear the cost of returns (which will either be paid by you and refunded by Artsper or directly paid by Artsper).
The artwork must be returned in perfect condition and in its original packaging (or equivalent).
The buyer exercises his right of withdrawal directly from MUMART, by sending an email to the address: [email protected].
If you have bought a painting, a sculpture or a work on paper, find expert advice on its conservation and how to best enhace it:
Choose your preferences
The art is yours
The art is yours